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"Mary Grigoriadis at James Cohan," by Jonathan Goodman July 2023

"An Artist Sees the Potential for Healing in the Aftermath of War," by Mimi Wong July 18, 2023

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“What Would Ben Franklin Say? Artists Weigh the Dream of Democracy,” by Hilarie M. Sheets March 23, 2023

"Bill Viola at James Cohan," by Max Levin March 20, 2023

"Houston’s Most Daring Museum Transforms Into a Basketball Court With the Final Four Almost Here — Your First Look at CAMH COURT," by Catherine D. Anspon March 20, 2023

"5 things to know about Bill Viola, now on show in Milan," by Carla Tozzi March 15, 2023

"My Practice Is Play: Trenton Doyle Hancock Has Gamed Out a Fully Functioning Basketball Court in a Houston Museum," by Min Chen March 14, 2023

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“Lee Mullican: The Nest Revived at James Cohan Gallery," by Jonathan Goodman January 2023

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"Making Fashion History," by Mary Corrigall September 30, 2022

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"Matthew Ritchie," by Andrea K. Scott September 17, 2022

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"stitch by stitch," by Shirley Wang July 31, 2022

"Forensics and Fables: The 12th Berlin Biennale," by Emily Watlington July 26, 2022

"The World Reimagined revisits the history of the transatlantic slave trade through art," by Amah-Rose McKnight Abrams July 26, 2022

"A Biennial for the Future," by Louise Steiwer July 15, 2022

"Toshiko Takaezu," by Owen Duffy July 13, 2022

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"Yinka Shonibare Loves a Paradox," by Malin Ebbing June 30, 2022

"ART AT A TIME LIKE THIS + SAVEARTSPACE LAUNCH 8X5 AN EXHIBITION ON BILLBOARDS THROUGHOUT MIAMI TO RAISE AWARENESS OF MASS INCARCERATION," by Mark Westall June 23, 2022

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"Future Library opens secret archive of unseen texts in Oslo," by Rosie Goldsmith June 14, 2022

"7 Standout Works at the 2022 Berlin Biennale, From ‘Vomit Girl’ Sculptures to Videos Reflecting on the Vietnamese Diaspora," by Emily Watlington June 13, 2022

"In Dakar, African Art Speaks in All Its Voices," by Siddhartha Mitter June 15, 2022

Danza, Carlson: “Rome, city of water, in love with its fountains” June 11, 2022

"‘Living Encounters’ Mines our Eternal Conflicts," by Kimberly Bradley May 23, 2022

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"At the Spoleto Festival, Opera Is an Act of Liberation," By Joshua Barone May 30, 2022

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“REVIEW: For artists including West Stockbridge’s Ilene Spiewak, Outwin Boochever Portrait Competition show is a portrait of our time,” by Evan Berkowitz May 19, 2022

“British Council to establish Arts, Culture Academy in Nigeria,” by NNN May 19, 2022

"Jesse Mockrin Awakens the Figure of Saint Sebastian," by Erica Silverman May 23, 2022

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"A portrait competition that stretches the definition of a likeness," by Mark Jenkins March 12, 2022

“In the ‘cacophony’ of the Americas, painter Eamon Ore-Giron finds elegant patterns,” by Carolina A. Miranda May 12, 2022

"What to See in N.Y.C. Galleries Right Now," by James Vincler May 6, 2022

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"Playing with Photographs," by Rashmi Viswanathan May 1, 2022

"Portrait of a Covid-Era Haircut Claims First Prize in the Outwin Boochever Competition," by Meilan Solly April 29, 2022

"Around the galleries – Frieze hits New York, plus other highlights," by Samuel Reilly April 28, 2022

"Anderson Ranch Arts Center to honour Yinka Shonibare with annual international award," by Jacoba Urist April 28, 2022

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"In Edinburgh, an urn containing dust older than the sun provides an elegy to our disappearing world," by Gareth Harris April 26, 2022

"Abstraction From a Different Origin," by Kealey Boyd April 26, 2022

"Celebrating Arab-American artists’ contribution to culture," by Rawaa Talass April 21, 2022

"Jordan Nassar: To Light The Sky," by E.C. April, 2022

"Editors’ Picks: 14 Events for Your Art Calendar This Week, From Joan Jonas in Times Square to Art Inspired by Courtroom Dramas," by Sarah Cascone April 19, 2022

"Firelei Báez Brings an Afrofuturist Empire in the Atlantic to the MCA Chicago," by Tessa Solomon April 7, 2022

"The Hibiscus And The Rose, Yinka Shonibare CBE Duality On View At Frederik Meijer Gardens & Sculpture Park," by Chadd Scott April 6, 2022

"CRITICS’ PICKS: 'SOL,'" by Kari Rittenbach April 2022

"Christopher Myers: The Hands of Strange Children," by Lisa Yin Zhang March 30, 2022

"Christopher Myers," by Sharifa Rhodes-Pitts March 15, 2022

"Eamon Ore-Giron at MCA Denver is part art exhibition, part sci-fi adventure," by Ray Mark Rinaldi March 14, 2022

"Three exhibitions to see in New York this weekend," by Gabriella Angeleti and Benjamin Sutton March 11, 2022

“The Artists Picking Up Where the Surrealists Left Off,” by Jori Finkel March 3, 2022

"8 Must-See Gallery Exhibitions in March 2022," by Paul Laster February 28, 2022

"Yinka Shonibare unveils project focused on the Great Migration," by Gabriella Angeleti February 23, 2022

"Byron Kim Plumbs the Depths of Nature and the Imagination" by John Yau February 17, 2022

"Byron Kim Achieves Equilibrium" by Seph Rodney February 15, 2022

"See A New Video Work That Meditates on the Loss of a Childhood Home" by Doug Wallen February 9, 2022

"Exhibition Review: A Través" by April-rose Desalegn February 4, 2022

"A new sculpture on the edge of Meyer Green greets passersby" by Robin Wander February 4, 2022

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"Why These 8 Artists Are Making NFTs" January 27, 2022

"The Bold New Mode of Artist Grace Weaver," by Marley Marius January 27, 2022

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"Kathy Butterly's quirky vessels combine painting, sculpture at CAM exhibition" by Jane Henderson August 31, 2021

"Embroidered visions of a peaceful Palestine – in pictures" by Alice Fisher January 15, 2022

"Shows to See in the US and Mexico This January" January 14, 2022

"Jesse Mockrin: How Saint Sebastian Tended by Saint Irene Has Fuelled My Latest Works," by Ravi Ghosh January 12, 2022

"What Is Normal?—Visual Art" by Osman Can Yerebakan December 20, 2021

"The Best New York Art Shows of 2021" by Jerry Saltz December 17, 2021

Naudline Pierre Recalls Fiery Visions of Angels December 17, 2021

"A ‘Witch Hunt’ in Pursuit of Intersectional Feminism" by Natalie Haddad December 14, 2021

"5 Questions for Artist Alexandre da Cunha," by Fabio Pariante December 14, 2021

"The 10 most stunning and startling artworks at Canadian galleries in 2021" by Kate Taylor December 10, 2021

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“How 9 Artsy Vanguard Alumni Have Become Leading Contemporary Artists” By Kaylie Felsberg November 15, 2021

"Emeka Ogboh" by Elena Clavarino November 10, 2021

"Ways of Playing" by Shreevatsa Nevatia November 15, 2021

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"Gauri Gill A Time to Play: New Scenes from Acts of Appearance" by Christopher Alessandrini November 2, 2021

"Staging Images: Gauri Gill Interviewed by Will Fenstermaker" by Fenstermaker November 1, 2021

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"A Voice From The Silence" by Ophelia Lai Nov/Dec 2021

“One Work: Diane Simpson’s “Two Point Enclosure,’” by Chris Murtha November 1, 2021

"TriBeCa Gallery Guide: New York’s Most Vibrant Art Scene" by Will Heinrich and Holland Cotter October 28, 2021

"Gauri Gill" by Johanna Fateman November 1, 2021

“Diane Simpson’s Sculpture Finds Beauty of a Different Kind,” by John Yau October 20, 2021

"‘He Raises the Bar for Me’: 4 Artists on the Influence of Bob Thompson" by Brian Boucher October 20, 2021

"Jordan Nassar Tells Poetic Stories Through His Exquisite Embroidery" by Osman Can Yerebakan October 15, 2021

"In the Studio With Naudline Pierre, the Painter Uncovering the Unknown" By Stephanie Eckardt October 15, 2021

"At Frieze London, the Art World Inches Toward Normalcy" by Scott Reyburn October 15, 2021

"Editors’ Picks: 11 Events for Your Art Calendar This Week, From Open House New York to a Warhol-Themed Corn Maze" October 11, 2021

"Resurrecting A Lost Palace of Haiti" by Marlene Daut October 8, 2021

"Alison Elizabeth Taylor: Future Promise" by Susan Harris October, 2021

"Naudline Pierre" by Stephanie E. Goodalle September 29, 2021

"Alexandre Da Cunha’s ‘Sunset, Sunrise, Sunset’ Illuminates New London Underground Station," by Angelee Kholia September 23, 2021

"Alison Elizabeth Taylor Captures The World Flushed With Adrenaline" by Brienne Walsh September 22, 2021

"Real sunset colors make up alexandre da cunha's kinetic artwork for london's underground," by Lynne Myers September 20, 2021

"A New Level of Ambition in Art by 3 Women" by Roberta Smith September 16, 2021

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“Seeing the Armory Art Fair as a Chance to Reconnect” by Steph Rodney September 10, 2021

“The Armory Show Review: Hey Good Lookin’” by Brian P. Kelly September 10, 2021

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"Studio Visit: Artist Alison Elizabeth Taylor on Making Intricate Wooden Tableaux While Her Kids Zoom for School in the Background," by Katie White

"Now showing at the ROM: Ethiopian artist Elias Sime’s landscapes made of recycled electronics" by Kate Taylor August 4, 2021

"Outside LA: Un/Common Proximity" by Annabel Keenan July 27, 2021

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"Apple commissions Scots artist Katie Paterson to turn world’s deserts into spectacular sculpture for HQ" by Krissy Storrar July 26, 2021

"'’Born in Flames’ Trailblazes a Collective Feminist Future" by Erica N. Cardwell July 15, 2021

"At the ICA Watershed, artist Firelei Báez draws history from the deep" by Murray Whyte July 8, 2021

"Trafalgar Square Fourth Plinth: Winning design a 'litmus test' for society" July 5, 2021

"Faces of 850 trans people to follow anticolonial rebel on fourth plinth" by Mark Brown July 5, 2021

"In Boston, Art That Rises From the Deep" by Siddhartha Mitter July 2, 2021

"SAF’s Al Hamriyah Studios hosts Monir Shahroudy Farmanfarmaian’s work" by Muhammad Yusuf June 26, 2021

"Asia Society Triennial “We Do Not Dream Alone” Unifies Artists Across Continents" by Farah Abdessamad June 26, 2021

“A Painting of a Fiery Being From a Parallel Universe" by Coco Romack June 25, 2021

"Contemporary Artists Pay Homage to Land Art Legend Nancy Holt" by Harriet Lloyd-Smith June 24, 2021

"Six Winners Share Britain’s £60,000 Artes Mundi Prize" by Sam Gaskin June 21, 2021

"Artes Mundi prize: six artists announced as joint winners" by Gareth Harris 6/21/2021

"Radical, Feminist Futures Blaze at the Bronx Museum" by Yume Murphy June 14, 2021

"6 Rising Contemporary Artists Using Traditional Craft Techniques" by Charlotte Jansen June 8, 2021

"Haiti’s revolutionary past rises at the ICA Watershed" by Murray Whyte May 21, 2021

"Eamon Ore-Girón: The Symmetry of Tears" by Barbara Calderón May 25, 2021

"THE BREAKDOWN: US-Palestinian artist Jordan Nassar discusses hand-embroidered artwork" by Rawaa Talass May 21, 2021

"The 10 Best Booths at Frieze New York 2021" By Benjamin Sutton May 6, 2021

"Frieze New York, First Live Art Fair in a Year, Kicks Off at the Shed" by By Will Heinrich and Martha Schwendener May 6, 2021

"Frieze New York 2021 Preview: A Sneak Peek At Some Of The Art Fair’s Priciest And Most Popular Pieces" by Tanya Klich April 29, 2021

"MUST SEE: Josiah McElheny at James Cohan" April 28, 2021

"Asian-American Artists, Now Activists, Push Back Against Hate" by Aruna D'Souza April 18, 2021

"5 Artists on the Influence of Mark Rothko" April 13, 2021

"EXPO CHGO ONLINE: Six Artwork Highlights" by Tessa Moldan April 1, 2021

"Beer with a Painter: Mernet Larsen," by Jennifer Samet April 3, 2021

"The Poetics of Opacity: An Interview with Firelei Báez" by Cosmo Whyte Spring 2021

"Mernet Larsen," by Jan Avgikos April 30, 2021

"Yinka Shonibare: ‘You don’t want the next generation to be full of hate'" by Tim Lewis March 28, 2021

"Michelle Grabner" by Johanna Fateman March 23, 2021

"Artist Byron Kim’s Deceptively Modest Meditations on Identity Pose Important Questions—Here Are 3 Facts You May Not Know About His Work" by Maria Vogel March 19, 2021

"Rising Star Artist Naudline Pierre Has Just Joined James Cohan Gallery" by Helen Holmes March 18, 2021

"ARTnews in Brief: Naudline Pierre Joins James Cohan - and more from March 17, 2021" by Alex Greenberger, Claire Selvin, and Tessa Solomon March 17, 2021

"Fresh From Studio Museum Residency, Naudline Pierre Joins James Cohan Gallery" by Victoria L. Valentine March 17, 2021

"‘This Year Has Deranged My Senses’: 12 Artists on How the Pandemic Has Changed the Way They Approach Their Work" March 11, 2021

"Mexican artist who shines bloody light on drug violence on fourth plinth shortlist" by Mark Brown March 9, 2021

"MUST SEE: Michelle Grabner at James Cohan" March 9, 2021

"Art Gallery Shows to See Right Now" by Holland Cotter March 4, 2021

"How the Studio Museum in Harlem Transformed the Art World Forever" by Tillet Alamishah February 26, 2021

"The Brilliant Mirrored Sculptures of Monir Shahroudy Farmanfarmaian" by David Behringer February 24, 2021

"Monir Shahroudy Farmanfarmaian: Mirror-works and Drawings (2004–2016)" by William Corwin February 24, 2021

"Yinka Shonibare: Whitechapel Art Icon weaves the fabric of change" by Caroline Roux February 19, 2021

"A Love Letter to Monir Shahroudy Farmanfarmaian" by Pari Ehsan February 17, 2021

"Moody Center art exhibition shows a half-century Rothko’s influence" by Andrew Dansby February 12, 2021

"‘She Was Meant to Be So Fearful’: Watch Artist Firelei Báez Reimagine a Cruel Female Character From Dominican Folklore as a Feeling Person" by Caroline Goldstein February 11, 2021

“This Longing Vessel: Studio Museum Artists in Residence 2019–20" by Zoë Hopkins February 2021

"Art Industry News: Fred Tomaselli Creates a Celebratory Print for the Inauguration –" January 20, 2021

"Painter Mernet Larsen Turns Space and Reality on Their Heads—See Images From Her Topsy-Turvey Show at James Cohan Here" by Artnet Staff January 18, 2021

"3 Art Gallery Shows to See Right Now," by Jillian Steinhauer January 13, 2021

"The Field is Infinite: Jordan Nassar at KMAC Museum" by Natalie Weis January 7, 2021

"Mernet Larsen at James Cohan," by Mario Naves January 7, 2021

"Step and Screw: Stock Photo Exchange" by Trenton Doyle Hancock January/February 2021

"Yinka Shonibare: Earth Kids" by Elena Clavarino January 6, 2021

"Elias Sime: Saint Louis Art Museum" by Jessica Baran January 5, 2021

“Naudline Pierre Makes Paintings Not of This World" by Wallace Ludel February 2021

"The Year in Figuration" December 25, 2020

"Trenton Doyle Hancock Weaves Monumental Arboreal Tapestry with Odabashian at Museum of Fine Arts, Houston" by Nina Azzarello December 20, 2020

"Mernet Larsen," by Johanna Fateman December 17, 2020

"Our picks of the must-see shows to see in New York in December" by Wallace Ludel December 11, 2020

"Xu Zhen's Eternity vs. Evolution at the National Gallery of Australia plays with assumptions" by Sasha Grishin December 7, 2020

"Media 'Buzz': New Paintings by Fred Tomaselli" by David Behringer November 20, 2020

"Altered States: The Transformative Art of Fred Tomaselli" by Paul Laster November 20, 2020

"Trenton Doyle Hancock: Something American" by Megan Liberty November 2020

"Inspiration from South of the Border Moves Center Stage in Houston" by Hilarie M. Sheets November 13, 2020

"At Asia Society’s Inaugural Triennial, Artists Consider the Role of Borders in a Global Society" by Harley Wong November 12, 2020

"4 Art Gallery Shows to See Right Now" by Siddhartha Mitter November 11, 2020

"Video artist Bill Viola's relation to Lee U-fan unraveled" by Kwon Mee-yoo November 10, 2020

"Jordan Nassar" by Johanna Fateman November 7, 2020

"Cathartic Art for Precarious Times" by Gregory Volk November 7, 2020

De Oylem iz a Goylem and Unreliable Tales: A Conversation with Omer Fast November 4, 2020

“Exhibition Review: Fred Tomaselli Invites Viewers to Take a Second Look" by Mica Bahn October 28, 2020

"Editors’ Picks: 23 Events for Your Art Calendar This Week, From Calder-Inspired Halloween Costumes to the ‘Great Pumpkin Path’" October 28, 2020

"A First-Time Survey of Asian Art Gets a Second Chance to Dazzle" by Laura van Straaten October 22, 2020

"Diasporic Landscapes: Jordan Nassar Interviewed by Will Fenstermaker" October 21, 2020

"Interview: Tuan Andrew Nguyen on Crimes of Solidarity (2020)" by Zack Hatfield October 19, 2020

"At the Edge Of: Tuan Andrew Nguyen" by Rahel Aima October 15, 2020

"Three exhibitions to see in New York this weekend" by Gabriella Angeleti and Wallace Ludel October 9, 2020

"Yinka Shonibare unveils artwork evoking ‘collaboration’ for diplomatic buildings" by Sherna Noah October 6, 2020

"Editors’ Picks: 16 Events for Your Art Calendar This Week, From a Virtual Print Fair to an IRL Show Inspired by the 19th Amendment" October 6, 2020

MUST SEE: Trenton Doyle Hancock: "Something American" at James Cohan October 3, 2020

"Artists Speak against the Postponement of ‘Philip Guston Now’" October 2, 2020

"Alexandre da Cunha – interview: ‘All my work is about combining things and making them have a conversation, or sometimes an argument,’" by David Trigg September 30, 2020

Video Interview: Trenton Doyle Hancock on "Something American" September 30, 2020

"Philip Guston’s KKK paintings ‘are not asleep—they’re woke’: catalogue contradicts museum statement controversially halting show" by Ben Luke September 28, 2020

"Controversial Philip Guston Show Postponement Met with Shock and Anger from Art Community" by Alex Greenberger September 28, 2020

"Inside The Box: Plymouth’s £48m bid for cultural revival," by Hannah McGivern September 25, 2020

"Delay of Philip Guston Retrospective Divides the Art World" by Julia Jacobs and Jason Farago September 25, 2020

"On our Radar: Grace Weaver" by Jacoba Ulrist September 25, 2020

"NXTHVN is a New Kind of Space Built to Uplift Artists and Curators of Color" by Jacoba Ulrist September 23, 2020

"Editors’ Picks: 16 Events for Your Art Calendar This Week, From a Virtual EXPO Chicago to a Live Performance at the Met" September 21, 2020

"Something American: Trenton Doyle Hancock's Dives Deep Into the Nation's Psyche in New Show" by Evan Pricco September 18, 2020

"‘Things Are Not Always What They Seem’: Watch Artist Yinka Shonibare Transform Dutch Textiles Into Magnificent Sculptures" by Caroline Goldstein September 17, 2020

"James Cohan Brings Us Gauri Gill: The Face of New India" by Gabriela Bittencourt September 17, 20202

"Grace Weaver’s Portraits of Urban Anxiety" by Daniel Penny September 15, 2020

"Trenton Doyle Hancock" by Bill Kartalopoulos September 15, 2020

"‘myselves’: 4 artists on interpreting the body in the age of pandemic," by Ann Binlot September 11, 2020

"‘The Challenge Was to Articulate a Voice’: Watch Artist Omer Fast Splice Together CNN Clips to Convey a Personal Message About 9/11" by Caroline Goldstein September 10, 2020

"How much Rodin is too much?" by Martha Buskirk September 5, 2020

"Grace Weaver: STEPS" August 28, 2020

"Figurative and Abstract Paintings Brighten NY Galleries" by Paul Laster August 14, 2020

"Six outdoor sculptures you might walk by without realizing they’re by famous artists" by Kelsey Ables August 6, 2020

"Xu Zhen: Eternity vs Evolution from the National Gallery of Australia to the world" by Dean Kalimniou July 20, 2020

"Artist Grace Weaver’s Buoyant, Sensual Paintings of People Moving Through Everyday Life Are on View at James Cohan" by Caroline Goldstein July 20, 2020

"Art Pick: Tuan Andrew Nguyen: The Boat People" by Shana Nys Dambrot July 17, 2020

"8 Must-See Exhibitions at New York’s Reopened Galleries" by MacKenzie Martin July 10, 2020

"‘These photographs have felt meditative, offering glimpses of clarity in a comforting darkness'" by Benita Fernanda July 2, 2020

"Some of the world’s greatest artists photographed in lockdown by Maryam Eisler" June 5, 2020

"Globes and Astronaut Helmets Form Heads of Figurative Sculptures by Artist Yinka Shonibare CBE" by Grace Ebert June 4, 2020

"With His Exhibitions on Pause, Richard Long Is Still Taking Walks as Artworks During Lockdown" by Phyllis Tuchman

"In Bold Figurative Paintings, Grace Weaver Captures the Mood of Her Generation" by Alina Cohen

Firelei Báez Among 2020 Herb Alpert Winners May 25, 2020

"5 Embroidery Tips from Leading Contemporary Artists" by Alina Cohen May 19, 2020

"Firelei Báez's Time and Space" by Hilarie M. Sheets May 17, 2020

"On View: Firelei Báez Explores Diasporic Histories, Mythical Figures, and Imagined Realms at James Cohan Gallery in New York" by Victoria Valentine May 8, 2020

"Reimagining Futurity: An Online Exhibition of Tuan Andrew Nguyen" by Amy Lam May 6, 2020

"The Wit and Wisdom of Yinka Shonibare" by Samuel Reilly May 2, 2020

"Bill Viola: Impermanence" at Borusan Contemporary April 23, 2020

"SOFT POWER" by Nicholas Gamso Spring 2020

"Tuan Andrew Nguyen: The Limits of Narrative" by Vivian Chui April 17, 2020

"'Can you promise me that one day we'll return?'" by Harley Wong April 15, 2020

"In a Rebuke to Power Lists, Collecteurs Announces Substance 100" by Sam Gaskin April 10, 2020

"5 New York Galleries Showcase Women Artists In Online Exhibitions" by Nadja Sayej April 9, 2020

"Kate Paterson: Scottish National Gallery of Modern Art" by Chris Sharratt April 8, 2020

"Tuan Andrew Nguyen's Mystical Art Brings People in Touch with Lost Ancestors" by Harley Wong April 8, 2020

"Upcycling: 5 Artists Inventively Using Reclaimed Materials" by Paul Laster April 6, 2020

"Teresa Margolles: El asesinato cambia el mundo (Assassination changes the world)" by Christian Viveros-Fauné April 2, 2020

"Teresa Margolles" by Colby Chamberlain April 1, 2020

"Kathy Butterly's Universe in Color" by Squeak Carnwath March 31, 2020

"I Had to Fight to Show What I Could Do': How Elias Sime Emerged as One of Africa's Leading Contemporary Artists" by Will Fenstermaker March 25, 2020

"Teresa Margolles Implicates Art and Fashion Industries in Conditions along the US-Mexico Border," by Kate Green March 10, 2020

"Armory Week Lowdown: Art Shows to See" by Casey Casel February 28, 2020

"The Art Show at the Armory: Blue Chip Brands Show Their Best" by Martha Schwendener February 27, 2020

"Federico Herrero's Paintings Are 'Poems in Space'" By Nadja Sayej February 18, 2020

"Teresa Margolles" By Susan Breyer February 15, 2020

“Artists-In-Residence at the Studio Museum Open Their Doors to the Public" by Valentina Di Liscia February 11, 2020

“Jesse Mockrin Paints Billie Eilish in the Style of Caravaggio for Vogue,” by Dodie Kazanjian February 3, 2020

"Andrew Nguyen Explores Colonial Legacy" January 29, 2019

"Teresa Margolles" by Johanna Fateman January 24, 2020

"When Art Begins at the Scene of a Crime," by Siddhartha Mitter January 16, 2020

"Jordan Nassar," by Murtaza Vali December 18, 2019

"Byron Kim's Sunday Paintings: Gracious Encounters with The Sky at MOCA Cleveland" December 17, 2019

"Best of 2019: Our Top 20 United States Art Shows," December 12, 2019

"Byron Kim receives 2019 Robert de Niro Sr. Prize of $25,000," By Kathrine Keener December 5, 2019

"Byron Kim Recieves Robert De Niro, SR. Prize 2019," by Pamela Wong December 7, 2019

"Imagining Utopia, Just Over the Horizon," by Seph Rodney December 4, 2019

"Here Are 18 Horizon-Expanding Museum Shows to See During Art Basel Miami Beach 2019," by Sarah Cascone & Caroline Goldstein December 3, 2019

"Byron Kim wins 2019 Robert De Niro, SR. Prize" December 3, 2019

"Byron Kim Wins Robert De Niro, Sr. Prize, Coveted Award for Mid-Career American Painters," by Alex Greenberger December 3, 2019

"Do Artists Have ‘Soft Power’ To Create Political Change?" By Adam Kleinman November 28, 2019

"These 8 Female Artists Only Saw Their Careers Catch Fire Well Into Their 80s. Here’s How They Finally Got Their Due," by Katie White November 27, 2019

"Jordan Nassar’s new apartment exhibition lives between the Israel, Palestine binary," by Aaron Hicklin November 26, 2019

"Hugo Boss Prize, One of the World’s Top Art Awards, Names Shortlist for 2020," by Alex Greenberger November 19, 2019

"Little Sister: The Second of Grace Weaver's Germany Shows Opens @ Oldenburger Kunstverein" November 14, 2019

"Grace Weaver is O.K.: New Museum Show Set to Open at Kunstpalais, Erlangen, Germany" November 13, 2019

"Ethiopian Artist Elias Sime’s First Major Show Goes on View at the Wellin Museum," by Pilar Viladas

"Jordan Nassar is the Palestinian-American Painter Using Art To Connect With His Homeland," by Adam Baidawi November 6, 2019

"Art review: NOW | Katie Paterson, Darren Almond, Shona Macnaughton and Lucy Raven, Scottish National Gallery of Modern Art, Edinburgh," by Susan Manfield November 6, 2019

"Naudline Pierre" by Shana Nys Dambrot November 5, 2019

"‘Soft Power’ showcases world-changing art" by Anita Katz October 30, 2019

“Rising Art Star Naudline Pierre’s Religious Upbringing Informs Her Ecstatic, Spiritual Canvases—See Them Here" by Sarah Cascone October 26, 2019

"'SOFT POWER' Pulls No Punches in SFMOMA's Global Contemporary Survey" By Sarah Hotchkiss October 24, 2019

"SFMOMA’s ‘Soft Power’ displays the influence of art in the 21st century" by Charles Desmarais October 24, 2019

"When You’re Palestinian, American and Jewish, Life — Like Your Art — Is Complicated," by Joy Bernard

“Agency and Transcendence: Naudline Pierre Interviewed” by Amelia Rina October 21, 2019

"Review: The Time is Now at Millennium Gallery," by Sarah Jay

"Galleries: NOW at the Scottish National Gallery of Modern Art"

"Trenton Doyle Hancock 'Mind Of The Mound: Critical Mass' At MASS MoCA Through 11/3," by Joe Donahue

"New York Galleries: What to See Right Now," by Will Heinrich October 16, 2019

“Naudline Pierre at Shulamit Nazarian” by Essence Harden October 15, 2019

“Wellin Museum presents second major US exhibition devoted to Ethopian artist Elias Sime,” by Gabriella Angeleti

"The Cosmic Vessels of an Adventurous Glass Artist," by Gregory Volk October 12, 2019

"Boston's ICA Selects Firelei Báez for Third Watershed Commisson" October 10, 2019

"Bill Viola THE BARNES FOUNDATION," by Hannah Stamler

“Naudline Pierre: Shulamit Nazarian" by Ashton Cooper October 2019

"Ethiopia’s Prime Minister Commissions Artist Elias Sime and Meskerem Assegued for New Public Garden at Off-Limits National Palace," by Andy Battaglia

"Memoria Paralela De Hiraki Sawa" 25 September, 2019

"Josiah McElheny," by Wallace Ludel

"Shortlist announced for Artes Mundi 9, the UK's biggest contemporary art prize," by José Da Silva

"Josiah McElheny," by Andrea K. Scott

"Josiah McElheny: Observations at Night," by Charles Schultz

"Omer Fast Blends Medieval Jewish Tales with the Contemporary Grotesque," by Hili Perlson

"The best art of the 21st century" by Adrian Searle, Jonathan Jones, Sean O’Hagan and Hettie Judah

"Love and Craftsmanship in the Relationship Between Machines and Humanity," by Seph Rodney

"The Artists to Know Right Now," by The Artsy Editors

"The Artsy Vanguard: The Artists to Know Right Now"

"Don’t Miss These Art Shows and Events This Fall," by Will Heinrich

"21st Contemporary Art Biennial Sesc_Videobrasil"

Teresa Margolles y la violencia en Chile: “Creen que vale más un kilo de oro que un litro de sangre,” Por Isidora Osorio

"Interview: Elias Sime," by Zack Hatfield

“Naudline Pierre: Higher Love” by Kristin Farr September 2019

"In the Bland Scheme of Things," by Claire Bishop

"“My Ailing Beliefs Can Cure Your Wretched Desires”: Vietnamese-American artist Tuan Andrew Nguyen on the struggles of the animal world," by Gabrielle Cheng August 26, 2019

"Page 76: Reading Ahead in the Season’s Most Anticipated New Books," with illustrations by Firelei Báez

"For Six Hours, Four Performers Freeze in the Act of Falling," by Renée Reizman

"My Bill Viola Video Marathon," by Paula Deitz

“Collecting Performance: Xu Zhen’s 'In Just a Blink of an Eye' at MOCA,” by Shana Nys Dambrot

"Bill Viola’s videos show what art can do and expose what the Barnes Collection lacks," by Philip Kennicott

"Bill Viola’s Videos Elevate the Commonplace," by Ilene Dube

"Can performance art be owned? Why the genre is often missing in museum collections," by Deborah Vankin

"Why is this man suspended midair at MOCA? And how?" by Deborah Vankin

"6 ceramic sculpture exhibitions not to miss," by Charles Desmarais

"Finding Both Comfort and Challenge in the Idea of 'Home,'" by Harry Tafoya

"Zoe Butt on the Challenges and Rewards of Curating," by Maria Nicolacopoulou July 19, 2019

"Mosaics of Motherboards, Keyboards, and Wire," by John Yau

"Trenton Doyle Hancock," by Aruna D'Souza

"UBS collaborates with artist Federico Herrero to celebrate its 26th year as Global Lead Partner of Art Basel in Basel," by Mark Westall

"The 6 Best—and Riskiest—Artworks at Art Basel Unlimited, Where the Fair’s Supersized Artwork Shines," By Tim Schneider & Kate Brown 6/11/2019

"Message to the Moon: Katie Paterson’s Life in Astronomy," by Katie Paterson

"‘The piece hasn’t suffered enough’ Kathy Butterly tortures her own sculptures — and produces exquisite, joyful results," by Sebastian Smee

"Firelei Báez: Celestial Gazing at the Afro-Caribbean Diaspora," by Diony Elias

"The Review: All That Noise," by Paul Laster

"What to See in Art Galleries Right Now," by Jillian Steinhauer et. al.

"Productive Friction: An Incisive Sharjah Biennial Ponders the Untapped Histories of the United Arab Emirates," by Rahel Aima http://www.artnews.com/2019/05/28/sharjah-biennial-review/

"Productive Friction: An Incisive Sharjah Biennial Ponders the Untapped Histories of the United Arab Emirates," by Rahel Aima May 28, 2019

"Monir Shahroudy Farmanfarmaian (1922 - 2019)" by Shirin Neshat May 17, 2019

"An Atlas of Pulp: Simon Evans™ at James Cohan," by Spencer Everett

“The Whitney Biennial: Young Art Cross-Stitched with Politics,” by Holland Cotter May 16, 2019

"Firelei Báez," by Johanna Fateman

"Firelei Báez’s Intoxicating Installation Is a Feminist Ode to the African Diaspora," by Julia Wolkoff

"In Search of Palestine with Jordan Nassar," by Andrew Wilkin

"Monir Farmanfarmaian, 96, Dies; Artist Melded Islam and the Abstract" by Jason Farago April 29, 2019

"American-Palestinian Artist Jordan Nassar Examines The Crossovers of Culture, Identity and Tradition," by Katrina Kufer

"Elias Sime," by Katy Donoghue

"The Wild World of Trenton Doyle Hancock," by Christopher Marcisz April 25, 2019

"Tabaimo: Ghost Running," by Yukari Tanaka April 23, 2019

"Artist of deep time," by Philip Ball

"‘It’s All About Life’: Ethiopia’s Newest Art Museum Doubles as an Experiment in Environmental Sustainability," by Kate Brown

"Iranian Artist Monir Shahroudy Farmanfarmaian, Sculptor of Mindbending Mirror Works, Dead at 97" by Alex Greenberger April 21, 2019

"How to future-proof a work of art that will not be completed for 100 years," by José Da Silva

"9 Art Events in New York This Week: Simone Leigh, Firelei Báez, Tim Rollins and K.O.S., and More"

"Editors’ Picks: 11 Things Not to Miss in New York’s Art World This Week," by Neha Jambhekar et. al.

"Tate Acquires Yinka Shonibare's 'The British Library'"

"The 14th Sharjah Biennial tells the stories ignored by popular culture," by Ann Binlot April 3, 2019

"Was Lee Mullican the Great Overlooked Abstract Expressionist?" by Joseph Jacobs

"Yinka Shonibare Explores Immigration & Personal Narrative," by Jewels Dodson

"New York Art Galleries: What to See Right Now," by Jillian Steinhauer

"1000 Words: Trenton Doyle Hancock," by Ikechukwu Onyewuenyi and Trenton Doyle Hancock

"Sharjah Biennial 14: Leaving the Echo Chamber," by Stephanie Bailey March 15, 2019

"9 Art Events in New York This Week: Purvis Young, Alice Neel, Ricardo Brey, and More"

"Poetic Patterns," by Danna Lorch

"As Frieze Los Angeles Opens, Three Young California Artists Are Reinventing What Figurative Painting Can Be," by Dodie Kazanjian February 15, 2019

"Craving Spring? Head to the 163rd Street Subway Stop in Washington Heights," by Ilana Herzig

"The Intervention in Nairobi Questioning Who’s Black Enough," by Kopano Maroga February 12, 2019

“Pictures at an Exhibition: Firelei Báez at Witte de With Center for Contemporary Art, Rotterdam”

"Next Up on the High Line in New York: Paintings," by Annie Armstrong

"Jesse Mockrin," by Travis Diehl February 1, 2019

"Prints Charming," by Michael Watts

“Reviews: Diane Simpson,” by Gilda Williams January 2019

"Threads of Identity: An Interview with Jordan Nassar," by Sarah Messerschmidt

"'I've breathed in some crazy things from outer space' – Katie Paterson's cosmic art," by Patrick Barkham

"Jordan Nassar: For Your Eyes"

"Yinka Shonibare’s stirring new textile works put Hereford on the map," by Elly Parsons

"Exhibition review: Katie Paterson — A place that exists only in moonlight, Turner Contemporary, Margate," by Nancy Durrant

"2 Artists, 500 Years Apart, Asking the Same Spiritual Questions," by Farah Nayeri

"Life. Death. Rebirth. A Spectacular And Moving Exhibition Of Two Great Artists At Royal Academy," by Tabish Khan

"Simone Leigh, Juliana Huxtable, and Wu Tsang Are Among the 45 Artists Awarded $50,000 Each From United States Artists," by Taylor Dafoe

"Pamela Joyner on African-American Art and Its Representation in the History Books," by David Nash

"United States Artists Names 2019 Fellows, Including Firelei Báez, Wu Tsang, and Cecilia Vicuña," by Alex Greenberger

"Kira Perov: the ‘guardian angel’ in Bill Viola’s life and work," by Sarah Crompton

"Beer with a Painter: Fred Tomaselli," by Jennifer Samet

"Jordan Nassar: For Your Eyes"

"Beyond Borders: The Artists Using Their Work to Take on Division" by Nadja Sayej January 15, 2019

"Ones to watch in 2019: Katie Paterson, artist," by Susan Mansfield

"How pioneering video artist Bill Viola's near-death experience influences his work on religion," by Ben Luke

"Artist Trenton Doyle Hancock’s Further Adventures in the Moundverse," by Shana Nys Dambrot

"At James Cohan Gallery, Jorge Méndez Blake Builds a Wall" by Claire Selvin January 8, 2019

"At James Cohan Gallery, Jorge Méndez Blake Builds a Wall," by Claire Selvin

“Naudline Pierre, On Belonging,” by Jenn Dierdorf January 7, 2019

"19 Unmissable Museum Shows to See in Europe in 2019, From the Louvre’s da Vinci Blowout to David Hockney Meets Van Gogh"

“Naudline Pierre On Color And Gesture In Painting” by Makayla Bailey 2019

"London Art Exhibitions Preview: A Month-by-Month Guide 2019"

"Matthew Ritchie on his Project at Rice, What Makes Texas Unique, and Why He Keeps Coming Back," by Paul Middendorf December 21, 2018

"Which exhibitions will be the blockbusters of 2019?" by Emily Sharpe, Helen Stoilas, Jose da Silva and Margaret Carrigan

"A journey into inner life: Bill Viola’s mesmeric video installations meet Michelangelo’s masterpieces," by Ingrid Rowland, et. al.

“The Monir Museum Opens in Tehran" by HG Masters December 18, 2018

"REVIEW: Shonibare’s ‘American Library’ at Davidson is uplifting art for perilous times," by Barbara Schreiber

"Top Ten," by Claire Tancons December 2018

"Lunch with Eamon Ore-Giron: For the Peruvian American artist, tiny Intiraymi offers the taste and feel of Peru" by Carolina A. Miranda November 21, 2018

"Turning the Artist's Studio Inside Out," by Seph Rodney

"Can this abstract sculpture spur Davidson students to wrestle with tough questions?" by Lisa Rab

"Redrawing the History of Women of Color in Vibrant Hues,' by Julia Friedman

"Boundless Quantum and Galactic Space: 'The Demon in the Diagram' at the Moody Center," by Tarra Gaines

"Review: Kathy Butterly at James Cohan," by Wendy Vogel

“In Conversation: Firelei Báez with Hồng-Ân Trương,” by Hồng-Ân Trương

"This Library Has New Books by Major Authors, but They Can’t Be Read Until 2114," by Merve Emre

"Bill Viola: Life After Death at Stavanger Kunstmuseum," by Jean Marie Carey

"Artist Matthew Ritchie examines the demons in the diagram of human history," by Molly Glentzer

"How Los Angeles became a world-class art capital" Autumn 2018

"Preview: ‘A Palestine That Only Really Exists in the Mind of the Diaspora’"

"Katie Paterson: First There is a Mountain," by Mark Westall

"25 Things to Do Over the Next 2 Weeks: See Kathy Butterly," by Jerry Saltz

"Grace Weaver's Best Life Through Rose-Tinted Filters," by Isabella Howard

"'Going on Being': Kathy Butterly in Conversation with Elena Sisto," by Elena Sisto

"James Cohan Gallery Now Represents Firelei Báez," by Maximilíano Durón

"Mountains of sand build arts project across north and north-east," by Neil Drysdale

"Chinese artist Xu Zhen’s US$200,000 ‘supermarket’ makes a dig at commercialisation of creativity," by Enid Tsui

"Metaphors of Migration: Yinka Shonibare Interviewed," by Osman Can Yerebakan

"Artist Spencer Finch Evokes Kyoto's Ryoan-ji Garden at the Mies Pavilion," by Nicolás Valencia

"Must-see works at the Gwangju Biennale: This year’s edition features artists touching on the borders that exist between everything," by Moon So-Young

"Second Sculpture Milwaukee Artwork Finds Home in Historic Third Ward"

"Evening Shift: Dawn Chan on Bill Viola's 'The Night Journey,'" by Dawn Chan

"Space (and time) shifting at London's Hayward and Matt's Gallery," by Louisa Buck

"The World According to Matthew Ritchie," by Brittanie Shey

"The Making of an American Original," by John Yau

"Kathy Butterly" by Peter Schjeldahl

"Empty Promises: a 'real' supermarket as art," by Wang Jie

"How Rising Star Firelei Báez Uses Yoruba Myth and Her Afro-Caribbean Heritage in Her Profound ‘Joy Out of Fire’ Murals," by Jasmin Hernandez

"Grace Weaver Paints About Skin Care and Avocado Toast," by Jane Drinkard

"Grace Weaver Turns To Acrylic In Her James Cohan Debut," by Kat Herriman

"In Conversation with Naudline Pierre: Painting her Personal History Phenomenally on the Canvas" by Jasmin Hernandez September 11, 2018

"How This Brooklyn-Based Artist is Transforming Palestinian Folk Art," by Rebecca Bengal

"Grace Weaver: The Big Picture," by Evan Pricco

"Bill Viola, Phylidia Barlow + Antony Gormley to star for the Royal Academy in 2019," by Mark Westall

"Berlin Biennale," by Rachel Wetzler

"Han Kang to bury next book for almost 100 years in Norwegian forest," by Alison Flood

"Considering Contemporary Strategies of Activist Curating and Art Making in Sharjah," by Nicola Gray August 16, 2018

"Leading video artist Bill Viola brings most well known pieces to Doncaster," by Nigel Booth

"Yinka Shonibare Wrapped More than 200 Books in ‘African’ Textiles, His ‘American Library’ is Designed to Start a Conversation About Immigration," by Victoria A. Valentine

"A glimpse of art video through Fragments exhibition"

"When the cover of a book becomes postcard art: Captivating messages in surprising packages," by Leah Ollman

"My Ailing Beliefs can Cure Your Wretched Desires Tuan Andrew Nguyen," by Ophelia Lai August 2018

“Trenton Doyle Hancock toys with Doll-making,” by Victoria Stapley-Brown

"Art Review: Bill Viola: Three Women, St Cuthbert's, Edinburgh," by Giles Sutherland

"Ekphrasis: Helene Appel at James Cohan," by David Cohen

"In Pictures: Five must-see shows and events at Edinburgh Art Festival," by Aimee Dawson

"Bill Viola launches experimental art game, a cryptic ‘explorable video,'" by Jessica Klingelfuss

"Part of My Job Is Just to Listen’: Photographer Gauri Gill on Her Peripatetic Art" by Andrew Russeth July 24, 2018

"Harnessing the Revelatory Power of Masks: Gauri Gill" by Sharmistha Ray July 21, 2018

"Royal Academy to host Bill Viola video art showcase," by Mark Brown

“Artists quantify human behavior and identity in the new exhibit at Columbus Museum of Art,” by Nancy Gilson

"Bill Viola's beautiful game, The Night Journey," by Bryan Appleyard

"See Highlights From the Wildly Ambitious, Just-Opened FRONT International Triennial in Cleveland," by Tim Schneider

"Painting Wagner: Celebrated Artists' New Work for the Opera Stage," by A.J. Goldman

"Two new shows at Contemporary Arts Center look at identity from different angles," by Leyla Shokoohe

"New co-directors of Yale Norfolk Summer School of Art named for 2019"

"Vietnamese artist’s Hong Kong exhibition on endangered species gives this meat-loving city something to think about," by Enid Tsui July 2, 2017

Fred Tomaselli in conversation with Brian Alfred

"Ethiopian Enterprise: Artists build a future in Addis Ababa and beyond," by Mik Awake

"Trenton Doyle Hancock Designs Dolls for a New Era," by Olivia Jia

"Teresa Margolles: Sutura at daadgalerie, Berlin," by Christina Takengy

Interview: Gauri Gill June 19, 2018

"An Artist Finds Inspiration in Women of Color Throughout History," by Tess Thackara

"It's Time for African Resistance, This Artist Says," by Bonnie Greer

"Made in L.A. 2018" by Hunter Drohojowska-Philp June 7, 2018

"Review: ‘Made in L.A. 2018': Why the Hammer biennial is the right show for disturbing times" by Christopher Knight June 5, 2018

"Resolutely Political LA Artists Focus on the Body in the City’s Latest Biennial" by Matt Stromberg June 4, 2018

"Projects 108: Gauri Gill" by Nicole Miller June 2018

"Of dams, displacement and the ripple effects," by Bill Weinberg

"Delving into deepest time," by Christopher Allen

"Buy a masterpiece for 67p! New stamps by Tracey Emin, Yinka Shonibare, Grayson Perry and more," by Andrew Dickson

"Mernet Larsen," by The New Yorker May 21, 2018

"Watch: The Cross-Cultural Relationship Between Married Artists Jordan Nassar and Amir Guberstein," by Paul Bui and Louisiane Trotobas

"Ghosts and Ghouls on Grand Street: Yun-Fei Ji at James Cohan," by Robert C. Morgan

"Yun-Fei Ji," by Will Heinrich

"The Artist Creating Visual Roadmaps of Black Womanhood," by Morgan Sykes

"An Artist's Alternative Universe And His Warehouse Full Of Dolls," by Neda Ulaby

"An Artist Conjures the Ghosts of Displacement," by John Yau

"The Powerful Women of Firelei Báez," by Roxana Fabius

"A Perfectly Imperfect Universe," by Molly Glentzer

"Mernet Larsen Welcomes You to the Vortex," by John Yau May 6, 2018

"Jordan Nassar is delicately weaving a new vision into one of Palestine’s cultural legacies," by Alex Bacon

"The 8 Best Booths to See at Frieze New York" by Sara Roffino

"Here’s What to Go See at This Year’s Frieze Art Fair" by Hamish Bowles

"Frieze New York: how this year's art fair got political" by Nadja Sayej

"Renowned artist heading to Gallery Oldham," by the Editors

"James Cohan Gallery Now Represents Matthew Ritchie," by Claire Selvin

"Frieze to bring West Coast buzz to New York" by Gareth Harris

"Here’s the Full List of Participating Artists for the 10th Berlin Biennale," by Kate Brown

"Editors' Picks: 19 Things to See in New York This Week," by Sarah Cascone

"Art Break: Comic Book Art at Society of Illustrators; a Prized Private Collection at Hauser & Wirth; and Chinese Folktales at James Cohan Gallery," by A.E. Colas

"Artworld: April 2018," by Leigh Anne Miller

"Here's the Artist List for Open Spaces Kansas City 2018," by Claire Selvin

"Village Wen, Fragrant Brook, and Other Vanishing Townships," by Yun-Fei Ji

"Spencer Finch makes art of light at Berggruen," by Charles Desmarais

"Jordan Nassar is Weaving the World Into His Embroidery," By Aaron Hicklin

"Image as Dwelling: Gauri Gill's Photography and Collaborative Approach" by Natasha Ginwala April 2018

"'I’m the Opposite of Donald Trump': Yinka Shonibare MBE on His New Public Sculpture in NYC," by Jessica Holmes

"The Best Public Art Opening in New York City This Spring," by Juliet Helmke

"Yinka Shonibare: behind the artist's new Central Park sculpture," by Nadja Sayej

"Yinka Shonibare Unveils Wind Sculpture in Central Park," by Kristin Tauer

"See Yinka Shonibare’s colorful new Wind Sculpture in Central Park" by Paul Laster

"Rip it Up: Paper, Politics, and Power," by Emily Spicer

"Yinka Shonibare’s 'Alternative Monuments' Arrive in Central Park," by Julia Felsenthal

"Yinka Shonibare: a change in the wind" by Victoria Stapley-Brown and Yinka Shonibare MBE

"1000 Words: Yinka Shonibare MBE," by Jeffrey Kastner and Yinka Shonibare MBE

"A Chinese Artist Is Inviting Viewers to Retrace Famous Protest Marches," by Barbara Pollack

"‘It Is the Story of America’: Yinka Shonibare on Planting a Dazzling Pro-Immigrant Statement Blocks From Trump Tower," by Javier Pes

"Is It an Art Collective or a Vietnamese Ad Agency? Yes and Yes," by Frank Rose

"The Propeller Group: We Are Restless, But We Will Not Rest (Even After Death)," by Karen Fiss February 13, 2018

"Monir Shahroudy Farmanfarmaian" by Charles Safaieh February 2018

"Reviews: Alison Elizabeth Taylor at James Cohan, New York," by Gregory Volk

"Painting the Sky on Sunday," by Louis Bury

"Tuan Andrew Nguyen － Animal Tales and the State of War," Caroline, Ha Thuc January 26,2018

"College Art Association Announces 2018 Awards for Distinction," by Andrew Russeth

"Critcs' Pick: Byron Kim," by Alex Garner

"CAA Announces Recipients of its 2018 Awards for Distinction,"

"A Painting of the Sky Every Sunday, and the Art of Careful Attention," by Vinson Cummingham

"Empty Forest: Dissecting the Fraught Relationship Between Man and Animal," by Vuong Thao Nguyen January 22, 2018

"Byron Kim: Sunday Paintings, 1/7/01 to 2/11/18," by Jerry Saltz

"After Darkness: Southeast Asian Art in the Wake of History"

"In Conversation: Josiah McElheny with Jarrett Earnest"

“Trenton Doyle Hancock: The Re-Evolving Door to the Moundverse,” by Karen Wilkin

"Surreal Scenes of the American West Ingeniously Rendered in Wood," by Seph Rodney

"Yinka Shonibare: ‘I don’t believe in putting up borders’" by Harriet Fitch Little

"Firelei Báez's Stirring, New Meditations on Femininity," by Andy Smith

“Iran’s first museum for a female artist honours nonagenarian" by Tim Cornwell December 14, 2017

"‘Voyage,’ curated by Alexandre da Cunha, at Galeria Bergamin & Gomide, São Paulo," by the Editors of ARTnews December 13, 2017

"A Pastel Portrait of Spiral Jetty and Its Environs" by Claire Voom

"Cleveland Museum of Art offers fantastic solo shows on Scott Olson, Jerry Birchfield, at Transformer Station," by Steven Litt

"In Conversation with Omer Fast," by Laura Herman

Chinese artist focuses on nature and harmony in her first solo U.S. museum exhibition by Richard Chang

"Review: Jordan Nassar at Anat Ebgi: Palestinian cross-stitch art as boundary-breaker," by Leah Ollman

"Artist Defends Chinatown Exhibit After Protests," by Andrew R. Chow

"Omer Fast"

"From prankster to CEO: Chinese artist Xu Zhen's surprising evolution" by oscar Holland and Serenitie Wang October 6, 2017

"Of Darkness and Light"

“Two Decades of Work By a Houston Artist, Now on Display at the Rice University Gallery,” by Chris Becker

"Southeast Asia Stakes Its Claim in the Art World," by Jason Farago

"Omer Fast," by Ania Szremski

"What Sold at EXPO Chicago," by Anna Louie Sussman

"A Line Can Go Anywhere," by Martha Schwendener September 13, 2017

"At Cornell Tech, Art Engineered for the Imagination" by Hilarie Sheets

"Scott Olson: Harmonia Mundi," by Richard Leydier

"At the Kemper, a 'Treasure Hunt' Leads from Colonial Louisiana to Today's Kansas City," by Vicky Diaz-Camacho

"Firelei Báez Tells Powerful Stories with Her Lush Paintings," by Lucy Rees

“Vietnamese Artists Explore Impact of Politics, Ideologies on Life, Death,” by Elizabeth Lee

"At Documenta, Blurred Lines Between Art and Politics" by Kaelen Wilson-Goldie August 2, 2017

"Critics' Pick: Dream Machines," by Tausif Noor

"Amy Feldman: Dark Selects," by Roberta Smith

"Dream Machines"

"Amy Feldman," by Mary Jones

Future Library

"Amy Feldman - High Sign," by Michael Wilson

"Painting Isn't Dead! It's Just Slow," by Stan Mir

"Amy Feldman: Moon Decorum," by Andrianna Campbell

"The Propeller Group," by Sheila Regan

"Firelei Báez on Generosity and Freedom in Art," by Angie Cruz

"Dark arts: Bill Viola retrospective marks the Guggenheim Bilbao’s 20th anniversary" by Natalie Rigg

"Guggenheim Bilbao celebrates 20th birthday with Bill Viola" by Hannah McGivern

"The 30 Hottest Group Shows to See in New York This Summer," by Sarah Cascone

"This is what intersectional feminist art looks like," by Lori Waxman

"Josiah McElheny talks about his new public art project in Madison Square Park," by Paul Laster

"Bill Viola breathes fresh life into the Renaissance" by Isabel Stevens

"A conversation with Omer Fast," with Jens Maier-Rothe

"Elias Sime," by Leigh Anne Miller

"Smuggling the Sun" by Eamon Ore-Giron Summer 2017

"On Combing a Museum’s Collection for Objects that Deal with Death," by Shiela Regan May 18, 2017

“Exchange Program: The New Institute of Arab and Islamic Art" by Eleanor Heartney May 9, 2017

"Amy Feldman," by Osman Can Yerebakan

"Time Traveling at the Whitney," by Paul Jaskunas May 3, 2017

“Art League Houston names Trenton Doyle Hancock Texas artist of the year,” by Molly Glentzer

"Diane Simpson: House Images // Profile of the Artist," by Susan Snodgrass May 2017

"MEKONG – NEW MYTHOLOGIES," by Jonathan Chong May 2017

“Imagined Communities,” by Ellen Mara de Watcher

"The Vertigo Effect," by Mernet Larsen May 2017

"A Turner Prize Winner Brings Blue Sky Thinking to the British Countryside"

"Alexandre da Cunha: Boom," by Nathalia Lavigne April 28, 2017

"Earthly delights: Richard Long unveils a series of art installations at Houghton Hall" by Mark O'Flaherty

“How a Funeral from Half Way Around the World Can Seem Familiar,” by Euan Kerr

"Firelei Báez: Bloodlines tackles Race, Gender, and History at the Warhol," by Amani Newton

Guggenheim Foundation Announces 2017 Fellows, Including Byron Kim, Kay Rosen, and Leigh Ledare

Vanishing Points

Vanishing Points, curated by Andrianna Campbell

"Spencer Finch Brings Skyscapes Inside" by Blake Gopnik

"Byron Kim"

"The Whitney Biennial 2017 Sparking a Much Needed Debate," by Will Furtado March 28, 2017

"Taking Cues from Stand-Up Comedy, Amy Feldman Whips up Dynamic Paintings," by K. Sundberg

For Yinka Shonibare, Possession Is a Function of Economic and Social Class

“Prejudice at Home: A Parlour, a Library, and a Room”: British-Nigerian artist Yinka Shonibare at James Cohan, New York

Gallery Hopping: A Powerful Pro-Immigrant Message in Yinka Shonibare’s ‘British Library’

Yinka Shonibare MBE Navigates Prejudice and Dual Identity

Iconic Land Art Masterpiece ‘Spiral Jetty’ Voted Utah’s Official State Work of Art

Michelle Grabner

"An Omnivorous Tour of the 2017 Whitney Biennial" by Benjamin Sutton March 13, 2017

Spiral Jetty and ancient rock art honored by lawmakers

"In Conversation with Firelei Báez: Her Wondrous Exihibit 'Bloodlines' and Her Exploration of Black Womanhood," by Jasmin Hernandez

"A Color is a Boundary," by William S. Smith

"A Color is a Boundary," by William S. Smith

The 20 Shows You Need to See during Armory Week

The 20 Shows You Need to See during Armory Week

Three to See: New York

Three to see: New York

Artists Donate Works for New Cape Town Museum Zeitz MOCAA

11 Gallery and Museum Shows Across the Country to See in Honor of Black History Month

Bill Viola Mixes Video Work With Old Masters In Florence Exhibition

"Firelei Báez's Complex Studies of Female Identity Show Why She's an Artist for Our Time," by Jared Quinton

"A Bruise is the Momentary at Ease with the Continuous: Byron Kim at James Cohan," by Martha Tuttle

"A Bruise is the Momentary at Ease with the Continuous: Byron Kim at James Cohan," by Martha Tuttle

The Future Looks Bright for Artists in the Ancient Capital

"Nahum Tevet," by Raphael Rubinstein

How Do You Sell a Work of Art Built Into the Earth?

"Omer Fast," by Christy Lange

"Byron Kim's Art of the Bruise," by Blake Gopnik

Contemporary artist uses skin color for abstract portrait on race and identity for National Gallery

Critic's Pick: Byron Kim

"Critic's Pick: Byron Kim," by Dawn Chan

Michelle Grabner

Byron Kim in conversation with Brian Alfred

“Diane Simpson,” by Andrea K. Scott January 6, 2017

Painting the Violent Life Cycles of Bruises

Sofia Hernandez Chong Cuy Interviews Federico Herrero 2017

“Critics’ Picks: Diane Simpson,” by Wendy Vogel December 2016

“What to See in New York Art Galleries This Week,” by Roberta Smith December 23, 2016

"Evoking a Rippling Sail, This New Sculpture Aims to Make Global Connections," by Roger Catlin

Keep an Eye on These Portraits Because They Move

Yinka Shonibare Installation Acquired By Washington's Smithsonian National Museum of African Art

"Interview with Mernet Larsen," by Julie Weitz December 7, 2016

'Of tortoises and haunted mirrors: Tabaimo at SAAM," by Michael Upchurch

"Best of 2016," by Michael Ned Holte

"Painting the Violent Life Cycles of Bruises," by Ryan Wong

"Spencer Finch Makes Breakable Fog," by Blake Gopnik

"Spencer Finch Makes Breakable Fog," by Blake Gopnik

"Trenton Doyle Hancock's Packed, Percussive Paintings," by Seph Rodney

“’Dreamlands’ at the Whitney Museum: Between Illusion and Reality,” by Kristin Jones

"An Artist Who Is Not a Capitalist Minimalist," by John Yau

"What to see in New York Galleries this Weekend," by Holland Cotter

"Katie Paterson: The Poetry of Scale"

"Trenton Doyle Hancock: Pandemic Pentameter," by Dan Piepenbring

“The Propeller Group,” by Bansie Vasvani