Installation view, Josiah McElheny, Island Universe, Los Angeles County Museum of Art, CA, October 24, 2024 - March 2, 2025.
Installation view, Josiah McElheny, Island Universe, Los Angeles County Museum of Art, CA, October 24, 2024 - March 2, 2025.
JOSIAH MCELHENY
Prismatic Refractive Geometry I, 2023
Hand formed, cut and polished solid geometric glass shapes; low-iron mirror and two-way mirror; electric light; cedar frame
23 x 86 1/2 x 20 in.
58.4 x 219.7 x 50.8 cm
JCG15135
Installation view, Josiah McElheny, Geometries for an Imagined Future, James Cohan, 52 Walker, New York, NY, November 2 - December 22, 2023.
JOSIAH MCELHENY
From the Library of Future Geometries II, 2023
Wood, paint, hand formed and polished solid glass cone and geometric polyhedra shapes joined together by metal discs, patinated metal hardware, laminated museum glass
30 x 40 x 6 in.
76.2 x 101.6 x 15.2 cm
JCG15131
JOSIAH MCELHENY
Projection into Another Future (Sphenomegacorona), 2023
Flashe paint on board with inset hand cut, polished, and ground geometric glass shape, mirror, wood clamping system, felt, frame
27 3/8 x 39 1/2 x 2 3/8 in.
69.5 x 100.3 x 6 cm
JCG15139
From the Library of Doubles I, 2022
Hand-blown, cut, polished, and
mirrored glass; low-iron mirror and
two-way mirror, electric light; walnut
frame
24 7/8 x 67 x 22 1/2 in.
63.2 x 170.2 x 57.1 cm.
JCG13273
JOSIAH MCELHENY
From the Library of Interplanetary Harmonies III, 2021
Hand-blown, cut, polished, and mirrored glass; low-iron mirror and two-way mirror; electric light; walnut frame
26 3/4 x 53 1/4 x 19 3/8 in.
67.9 x 135.3 x 49.2 cm
JCG12854
JOSIAH MCELHENY
A Twilight Labyrinth (Amalgam), 2019
Low-iron mirror, two-way mirror, electric light, hand-blown, polished, and mirrored glass; Artist frame: Blue dyed walnut with blue architectural mirror inlay
24 x 37 1/2 x 24 in.
61 x 95.3 x 61 cm
JCG11150
JOSIAH MCELHENY
A Twilight Labyrinth (Distillation), 2020
Handblown mirrored glass, transparent and low-iron industrial mirror, blue mirror, oak, blue dye and stain, electric lighting, hardware, architectural intervention made of sheet rock, metal studs, plaster and latex paint
24 x 31 1/2 x 24 in.
61 x 80 x 61 cm
JCG12071
JOSIAH MCELHENY
A Twilight Labyrinth (Transit), 2020
Handblown mirrored glass, transparent and low-iron industrial mirror, blue mirror, oak, blue dye and stain, electric lighting, hardware, architectural intervention made of sheet rock, metal studs, plaster and latex paint
24 x 26 x 24 in.
61 x 66 x 61 cm
JCG11314
JOSIAH MCELHENY
Seven Observations for June Tyson, 2019
Acrylic on board with inset, hand-formed and polished micromosaic glass, black mirror, ash frame
Framed: 40 1/2 x 53 1/2 x 2 1/8 in.
102.9 x 135.9 x 5.4 cm
JCG10996
JOSIAH MCELHENY
Observation Night Four, 2019
Acrylic on board with inset, hand-formed and polished micromosaic glass, black mirror, ash frame
Framed: 21 7/8 x 21 7/8 x 2 1/8 in.
55.6 x 55.6 x 5.4 cm
JCG10993
JOSIAH MCELHENY
Observation Night Five, 2019
Acrylic on board with inset, hand-formed and polished micromosaic glass, black mirror, ash frame
Framed: 21 7/8 x 21 7/8 x 2 1/8 in.
55.6 x 55.6 x 5.4 cm
JCG10994
JOSIAH MCELHENY
Moon Mirror, 2019
Pressed colored prismatic glass, stainless steel, hardware
103 x 191 1/2 x 71 in.
261.6 x 486.4 x 180.3 cm
Edition of 3
JCG10506
JOSIAH MCELHENY
Moon Mirror, 2019
Detail
JCG10506
JOSIAH MCELHENY
Observatories at Night, 2019
Hand-formed cut and polished blue glass, bent blue architectural sheet glass, blue
mirror, oak, blue dye and stain
68 x 72 x 60 in.
172.7 x 182.9 x 152.4 cm
JCG10988
JOSIAH MCELHENY
Observatories at Night, 2019
Detail
JCG10988
JOSIAH MCELHENY
Prismatic Park, 2017
Three structures of painted wood and steel and custom-made prismatic, colored glass
Music wall: 9 ft 6 in. x 31 ft 9 in.; Dance floor: 32 ft diameter; Poetry Pavilion: 14 x 11 x 9 ft
Installation view, Josiah McElheny, Prismatic Park, Madison Square Park Conservancy, Madison Square Park, New York, NY, June 13- October 8, 2017
JOSIAH MCELHENY
Prismatic Park, 2017
JOSIAH MCELHENY
Crystal Landscape Painting (Triclinic), 2019
Hand-blown cut, polished and mirrored glass, transparent and low-iron mirror, grey mirror, painted steel, electric lighting, wood and hardware
54 15/16 x 54 15/16 x 18 11/16 in.
139.5 x 139.5 x 47.5 cm
JCG10501
JOSIAH MCELHENY
Crystal Landscape Painting (Triclinic), 2019
Detail
JCG10501
JOSIAH MCELHENY
Crystal Landscape Painting (Mineral), 2019
Hand-blown cut, polished and mirrored glass, transparent and low-iron mirror, grey mirror, painted steel, electric lighting, wood and hardware
54 15/16 x 54 15/16 x 18 11/16 in.
139.5 x 139.5 x 47.5 cm
JCG10500
JOSIAH MCELHENY
Crystal Landscape Painting (Mineral), 2019
Detail
JCG10500
JOSIAH MCELHENY
Spatial Prism Painting I, 2018
Hand-formed cut and polished blue glass, low-iron mirror, blue mirror, blue architectural sheet glass, oak, Sumi ink
43 1/2 x 57 1/4 x 7 1/2 in
110.5 x 145.4 x 19.1 cm
JCG10248
JOSIAH MCELHENY
Grey Prism Painting III, 2015
Hand-formed cut and polished grey glass, grey and low-iron mirror,
grey architectural sheet glass, oak, Sumi ink
43 1/2 x 32 1/2 x 7 1/2 in.
110.5 x 82.6 x 17.8 cm
JCG9684
JOSIAH MCELHENY
The Ornament Museum, 2016
Pavilion (in collaboration with John Vinci): hand-silkscreened low-iron glass, wood, paint, hardware, electric lights; Furniture: Table and chair
118 x 236 3/4 x 196 7/8 in.
299.7 x 601.3 x 500 cm
Installation view, Josiah McElheny: The Ornament Museum, MAK Museum Wein, Vienna, Austria, April 27, 2016- April 2, 2017
JOSIAH MCELHENY
The Ornament Museum, 2016
Pavilion (in collaboration with John Vinci): hand-silkscreened low-iron glass, wood, paint, hardware, electric lights; Furniture: Table and chair;
118 x 236 3/4 x 196 7/8 in.
299.7 x 601.3 x 500 cm
Performance: Actor; custom dress
Installation view, Josiah McElheny: The Ornament Museum, MAK Museum Wein, Vienna, Austria, April 27, 2016- April 2, 2017
JOSIAH MCELHENY
The Club for Modern Fashions, 2013
Architectural vitrine (in collaboration with John Vinci):
Wood, sheet-glass, hardware, carpet, furniture, paint and electric lighting
119 3/4 x 194 1/2 x 146 1/2 in.
304.2 x 494 x 372.1 cm
Performance: actors; period suits and dresses; movement; duration variable.
Installation view, Josiah McElheny: Two Clubs at The Arts Club of Chicago, The Arts Club of Chicago, IL, September 17- December 13, 2013
JOSIAH MCELHENY
The Club for Modern Fashions, 2013
Architectural vitrine (in collaboration with John Vinci):
wood, sheet-glass, hardware, carpet, furniture, paint and electric lighting;
119 3/4 x 194 1/2 x 146 1/2 in.
304.2 x 494 x 372.1 cm
Performance: actors; period suits and dresses; movement; duration variable.
Installation view, Josiah McElheny: Two Clubs at The Arts Club of Chicago, The Arts Club of Chicago, IL, September 17- December 13, 2013
JOSIAH MCELHENY
Models for an abstract body (after Delaunay and Malevich), 2012
Patinated cold-roll steel, cedar wood, low iron glass, hand blown and carved glass
65 3/8 x 24 1/2 x 17 1/2 in.
166.1 x 62.2 x 43.2 cm
JCG9868
JOSIAH MCELHENY
Models for an Abstract Body (after Courrèges), 2012
Patinated cold-roll steel, cedar wood, low-iron glass, hand blown and carved glass
65 3/8 x 24 1/2 x 17 1/2 in.
166.1 x 62.2 x 44.5 cm
JCG9869
JOSIAH MCELHENY
Bruno Taut’s Monument to Socialist Spirituality (After Mies van der Rohe), 2009
Handblown molded glass, wood, and metal hardware
105 3/4 x 75 x 55 in.
268.6 x 190.5 x 139.7 cm
JOSIAH MCELHENY
Bruno Taut’s Monument to Socialist Spirituality (After Mies van der Rohe), 2009
Detail
JOSIAH MCELHENY
Island Universe, 2008
Handblown and press-molded glass, chrome-plated aluminum, electric lighting, rigging
Dimensions variable; largest element: approximately 12 feet in diameter; smallest element: approximately 7 feet in diameter
Installation view, Josiah McElheny: A Island Universe, Moody Center for the Arts, Houston, TX, February 2- June 2, 2018
JOSIAH MCELHENY
Island Universe, 2008
Handblown and press-molded glass, chrome-plated aluminum, electric lighting, rigging
Dimensions variable; largest element: approximately 12 feet in diameter; smallest element: approximately 7 feet in diameter
Installation view, Josiah McElheny: A Island Universe, Moody Center for the Arts, Houston, TX, February 2- June 2, 2018
JOSIAH MCELHENY
Chromatic Modernism (Red, Blue, Yellow), 2008
Handblown glass, colored laminated sheet glass, low-iron sheet glass, anodized aluminum, metal hardware, and electric lighting
86 3/8 x 61 7/8 x 19 1/4 in.
219.4 x 157.2 x 48.9 cm
JOSIAH MCELHENY
The Alpine Cathedral and the City-Crown, 2007
Handblown molded glass, metal, wood, metal hardware, Plexiglas, and mechanically animated colored lighting system168 x 96 x 117 in.
168 x 96 x 117 in.
426.7 x 243.8 x 297.2 cm
Installation view, Josiah McElheny, Projects 84: The Alpine Cathedral and the City-Crown, Museum of Modern Art, New York, NY, February 12- April 9, 2007
JOSIAH MCELHENY
The Alpine Cathedral and the City-Crown, 2007
Detail
JOSIAH MCELHENY
Endlessly Repeating Twentieth Century Modernism, 2007
Handblown mirrored glass, transparent and low-iron industrial mirror, industrial magnets, chrome metal laminate, wood, and electric lighting
94 1/2 x 92 3/4 x 92 3/4 in.
240 x 235.6 x 235.6 cm
JOSIAH MCELHENY
Endlessly Repeating Twentieth Century Modernism, 2007
Handblown mirrored glass, transparent and low-iron industrial mirror, industrial magnets, chrome metal laminate, wood, and electric lighting
94 1/2 x 92 3/4 x 92 3/4 in.
240 x 235.6 x 235.6 cm
JOSIAH MCELHENY
An End to Modernity, 2005
Nickel-plated aluminum, electric lighting, hand-blown glass, steel cable, rigging
180 5/16 x 180 5/16 x 150 in.
458 x 458 x 381 cm
JOSIAH MCELHENY
An End to Modernity, 2005
Detail
JOSIAH MCELHENY
Extended Landscape Model for Total Reflective Abstraction, 2004
Handblown mirrored glass, industrial mirror, and wood
24 x 108 x 92 in.
61 x 274.3 x 233.7 cm
JOSIAH MCELHENY
Extended Landscape Model for Total Reflective Abstraction, 2004
Handblown mirrored glass, industrial mirror, and wood
24 x 108 x 92 in.
61 x 274.3 x 233.7 cm
JOSIAH MCELHENY
Untitled (White), 2000
Blown glass in opaque white on painted wood display
102 x 39 x 30 in.
259.1 x 99.1 x 76.2 cm
JCG10452
JOSIAH MCELHENY
Untitled (White), 2000
Handblown glass and wood
8 1/2 x 11 x 10 feet
JOSIAH MCELHENY
Ornament and Crime, 2002
Handblown glass, sheet glass, wood, metal, electric lighting, and fabric
51 x 84 x 12 in.
129.5 x 213.4 x 30.5 cm
JOSIAH MCELHENY
Charlotte Perriand, Carlo Scarpa, some others (White), 2000
Handblown glass, sheet metal, wood, and metal hardware
89 1/2 x 93 1/2 x 15 in.
227.3 x 237.5 x 38.1 cm
JOSIAH MCELHENY
From an Historical Anecdote About Fashion, 2000
Handblown glass, wood, metal hardware, sheet glass, and five framed digital prints
Case dimensions: 72 x 120 in.
182.9 x 304.8 cm
Digital prints: each, 18 x 25 1/2 in.
45.7 x 64.8 cm
JOSIAH MCELHENY
Impurities, 1994-2012
Handblown glass, wood, low-iron sheet glass, brass mounting hardware, drawings, and hand-lettered text
Case one: 31 5/16 x 43 5/16 x 5 in.
79.5 x 110 x 12.7 cm
Cases two through five: 22 5/16 x 32 5/16 x 8 3/8 in.
56.7 x 82.1 x 23.3 cm
Running length: 188 9/16 in.
478.9 cm
JCG9870
JOSIAH MCELHENY
Impurities, 1994-2012
Detail
JCG9870
JOSIAH MCELHENY
Impurities, 1994-2012
Detail
JCG9870
Josiah McElheny’s sculptures, paintings, installations, performances, and films engage with the history of ideas across wide-ranging fields of study—from literature to architecture, music theory, and astronomy—transforming this research into physical form. His works often combine glass or mirror with other materials, to emphasize the importance of the act of looking “as a subject in and of itself.” A skilled glassblower, McElheny frequently incorporates hand-blown and shaped glass within evocative assemblages, whose mode of presentation creates a sense of unsettled ideals, and a challenge to fixed definitions. For McElheny, glass—with its qualities of reflectivity, transparency, and enigmatic mutability—highlights the interactive potential between the object and viewer. The material serves as a productive agent, inciting chance encounters between forms and ideas that point toward alternative histories and futures.
Josiah McElheny (b. 1966, Boston, MA) has exhibited widely, including solo shows at Los Angeles County Museum of Art, CA (2024); the Cantor Arts Center, Stanford University, CA (2019); Moody Center for the Arts, Rice University, Houston, TX (2018); MAK Österreichisches Museum für angewandte Kunst, Vienna, Austria (2016); Wexner Center for the Arts, Columbus, OH (2013), Institute of Contemporary Art, Boston, MA (2012), Whitechapel Art Gallery, London, England (2011), Museo de Arte Reina Sofía, Madrid, Spain (2009), Moderna Museet, Stockholm, Sweden (2007), The Museum of Modern Art, New York, NY (2007), Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain (2002), Yerba Buena Center for the Arts, San Francisco, CA (2001), The Isabella Stewart Gardner Museum, Boston, MA (1999) and the Seattle Art Museum, WA (1995). His work is in the permanent collections of the Museum of Modern Art, New York, NY; the Whitney Museum of American Art, New York, NY; Los Angeles County Museum of Art, CA; Museum of Fine Art, Boston, MA; Moderna Museet, Stockholm, Sweden; Tate Modern, London, UK; and Toledo Museum of Art, Toledo, OH, among others. McElheny lives and works in New York, New York.
Josiah McElheny’s sculptures, paintings, installations, performances, and films engage with the history of ideas across wide-ranging fields of study—from literature to architecture, music theory, and astronomy—transforming this research into physical form. His works often combine glass or mirror with other materials, to emphasize the importance of the act of looking “as a subject in and of itself.” A skilled glassblower, McElheny frequently incorporates hand-blown and shaped glass within evocative assemblages, whose mode of presentation creates a sense of unsettled ideals, and a challenge to fixed definitions. For McElheny, glass—with its qualities of reflectivity, transparency, and enigmatic mutability—highlights the interactive potential between the object and viewer. The material serves as a productive agent, inciting chance encounters between forms and ideas that point toward alternative histories and futures.
With a Film by Jeff Preiss and Josiah McElheny
Gallery Exhibition at 291 Grand St