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Hurukuro intallation view

Installation view, Hurukuro, curated by Augusto Arbizo, James Cohan, New York, NY, March 1 - April 5, 2025. Photo by Dan Bradica.

hurukuro installation

Installation view, Hurukuro, curated by Augusto Arbizo, James Cohan, New York, NY, March 1 - April 5, 2025. Photo by Dan Bradica.

Hurukuro intallation view

Installation view, Hurukuro, curated by Augusto Arbizo, James Cohan, New York, NY, March 1 - April 5, 2025. Photo by Dan Bradica.

Hurukuro intallation view

Installation view, Hurukuro, curated by Augusto Arbizo, James Cohan, New York, NY, March 1 - April 5, 2025. Photo by Dan Bradica.

 

VIRGINIA CHIHOTA work

VIRGINIA CHIHOTA

Hamunyaradze kuva ii (can’t silence being II), 2023

Silkscreen and mixed media on canvas

96 x 108 in.
243.8 x 274.3 cm

 

JCG18552

ANTHONY BUMHIRA, Coronavirus, 2019

ANTHONY BUMHIRA

Coronavirus, 2019

Acrylic and printing inks, thread, and textile and canvas

92 x 107 in.
233.7 x 271.8 cm

 

JCG18481

ANTHONY BUMHIRA, Maputso, 2018

ANTHONY BUMHIRA

Maputso, 2018

Acrylic and printing inks, thread, and textile and canvas

49 x 118 in.
124.5 x 299.7 cm

 

JCG18482

VIRGINIA CHIHOTA, Hamunyaradze kuva ii (can’t silence being II), 2024-2025

VIRGINIA CHIHOTA

Hamunyaradze kuva ii (can’t silence being II), 2024-2025

Silkscreen and mixed media on canvas

110 x 118 in.
279.4 x 299.7 cm

 

JCG18551

ANTHONY BUMHIRA, Hurukuro Ne Mhemberero, 2018

ANTHONY BUMHIRA

Hurukuro Ne Mhemberero, 2018

Acrylic and printing inks, thread, textile and doilies on canvas

65 x 56 in.
165.1 x 142.2 cm

 

JCG18485

VIRGINIA CHIHOTA, Hamunyaradze kuva iii (can’t silence being III), 2023-2025

VIRGINIA CHIHOTA

Hamunyaradze kuva iii (can’t silence being III), 2023-2025

Silkscreen and mixed media on canvas

98 x 108 in.
248.9 x 274.3 cm

 

JCG18553

ANTHONY BUMHIRA, Smiles on my Blanket, 2017-2018

ANTHONY BUMHIRA

Smiles on my Blanket, 2017-2018

Acrylic and printing inks, thread, collage, and doilies on fabric blanket

80 x 75 in.
203.2 x 190.5 cm

 

JCG18484

VIRGINIA CHIHOTA, Hamunyaradze kuva i (can’t silence being I), 2024

VIRGINIA CHIHOTA

Hamunyaradze kuva i (can’t silence being I), 2024

Silkscreen and mixed media on canvas

82 x 112 in.
208.3 x 284.5 cm

 

JCG18554

ANTHONY BUMHIRA

ANTHONY BUMHIRA

Interior, 2019

Acrylic and printing inks, thread, cotton, doilies, collage and textile and canvas

46 1/2 x 41 1/2 in
118.1 x 105.4 cm

 

JCG18483

VIRGINIA CHIHOTA, Ngatigare tikurukure (let us sit and converse), 2025

VIRGINIA CHIHOTA

Ngatigare tikurukure (let us sit and converse), 2025

Silkscreen and ink on on Arches cotton rag paper

47 5/8 x 31 1/2 in.
121 x 80 cm

 

JCG18555

VIRGINIA CHIHOTA, Ndodonhera ini (a fall for self), 2025

VIRGINIA CHIHOTA

Ndodonhera ini (a fall for self), 2025

Silkscreen on paper

39 3/8 x 27 1/2 in.
100 x 70 cm

 

JCG18558

VIRGINIA CHIHOTA work

VIRGINIA CHIHOTA

Aripo anondinhonga (there is one who always picks me), 2025

Ink on Arches cotton rag paper

47 5/8 x 31 1/2 in.
121 x 80 cm

 

JCG18556

Press Release

James Cohan is pleased to present Hurukuro, a two-person exhibition curated by Augusto Arbizo, featuring the work of Anthony Bumhira and Virginia Chihota, on view from March 1 through April 5, 2025, at the gallery’s 52 Walker Street location. This marks the first gallery exhibition in New York for both artists. James Cohan will host an exhibition walkthrough with Virginia Chihota and Augusto Arbizo on Saturday, March 1, 2025 at 3:30 PM, followed by an opening reception from 4-6 PM.


Hurukuro (the Shona word for “conversation”) brings together the work of Anthony Bumhira and Virginia Chihota to establish a personal and quietly potent dialogue. Bumhira and Chihota reflect on themes of intimacy, domesticity and the body, using the language of the everyday to pose broader existential questions. Both artists draw from their biographies, using their upbringing, family, religion, and community as foundational lenses to explore the intersections of personal and collective histories. 


Hurukuro showcases large-scale, wall-based works that incorporate a variety of materials including fabric, thread, blankets, and paper doilies in Bumhira’s work; and printing inks, acrylic paint, and canvas in Chihota’s paintings. During the artists’ time at the National Gallery School at the National Gallery of Zimbabwe, the curriculum emphasized commercial art techniques and ideas, such as multiples of genre pictures of street life and market scenes. These technical and formal ideas—which includes printmaking processes and the serial use of forms—would become instrumental in the early development of both artists. Bumhira and Chihota’s practices incorporate these core precepts as a point of departure to materially and compositionally innovative ends.

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