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MERNET LARSEN Yoyo (after El Lissitzky), 2021

MERNET LARSEN
Yoyo (after El Lissitzky), 2021
Acrylic and mixed media on canvas
55 1/4 x 44 in.
140.3 x 111.8 cm
 

JCG12903

MERNET LARSEN Trial, 2021

MERNET LARSEN
Trial, 2021
Acrylic and mixed media on canvas
67 x 39 in.
170.2 x 99.1 cm

 

JCG12902

MERNET LARSEN Tourists, 2021

MERNET LARSEN
Tourists, 2021
Acrylic and mixed media on canvas
45 1/2 x 68 3/4 in.
115.6 x 174.6 cm

 

JCG12901
 

MERNET LARSEN Car and umbrella: study, c. 2016

MERNET LARSEN
Car and umbrella: study, c. 2016
Acrylic on Bristol paper
19 x 24 in.
48.3 x 61 cm
 

MERNET LARSEN Study for "Yoyo" (after El Lissitzky), 2021

MERNET LARSEN
Study for "Yoyo" (after El Lissitzky), 2021
Acrylic on Bristol paper
24 x 19 in.
61 x 48.3 cm

MERNET LARSEN "Trial" study 2, 2021

MERNET LARSEN
"Trial" study 2, 2021
Acrylic on Bristol paper
24 x 19 in.
61 x 48.3 cm

MERNET LARSEN, Study for "Tourists", 2021

MERNET LARSEN

Study for "Tourists", 2021

Acrylic on Bristol paper

19 x 24 in.
48.3 x 61 cm

MERNET LARSEN Study for "Gurney" (after El LIssitzky Proun 55, 1923), 2019

MERNET LARSEN
Study for "Gurney" (after El LIssitzky Proun 55, 1923), 2019
Acrylic on Bristol paper
19 x 24 in
48.3 x 61 cm
 

MERNET LARSEN, Study for "Spy" (after El Lissitzky), 2019

MERNET LARSEN

Study for "Spy" (after El Lissitzky), 2019

Acrylic on Bristol paper

19 x 24 in
48.3 x 61 cm

MERNET LARSEN, Study for "Sated" (after Bruegel and El Lissitzky), 2019

MERNET LARSEN

Study for "Sated" (after Bruegel and El Lissitzky), 2019

Acrylic on Bristol paper

19 x 24 in
48.3 x 61 cm

Press Release

James Cohan is pleased to present new and recent paintings and studies by Mernet Larsen at the 2021 edition of The Art Show, organized by the Art Dealers Association of America. The fair is open to the public from November 4-7, with a VIP Preview on November 3. 

 

For over six decades, Larsen has created narrative paintings depicting hard-edged, enigmatic characters that inhabit an uncanny parallel world filled with tension and wry humor. Drawing from influences that range from the non-objective geometries of Russian Constructivism to Bunraku puppet theater and Indian miniatures, her works take compositional cues from art of the past, as springboards for figure-paintings that speak to the anxieties of the present.

 

Larsen employs various spatial systems that often contradict. Combining reverse, isometric, and conventional perspectives, she casts everyday scenarios—like passersby on a city street, or the attendants in a municipal courtroom—into a vertigo-inducing version of reality akin to our own. As curator Susan Thompson has written about her work, “to step into Mernet Larsen’s world is to step off a ledge.” 

 

Preview available works in our Viewing Room here

 

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