TRENTON DOYLE HANCOCK
At Stake, 2024
Acrylic and mixed media on canvas
60 x 48 in
152.4 x 121.9 cm
JCG17592
TRENTON DOYLE HANCOCK
Hoods On The Men U Trust, 2024
Acrylic and mixed media on canvas
60 x 48 in
152.4 x 121.9 cm
JCG17593
TRENTON DOYLE HANCOCK
The Boys in the Hoods are Always Hard, 2023
Acrylic and graphite on canvas
60 x 48 in.
152.4 x 121.9 cm
JCG15933
TRENTON DOYLE HANCOCK
Lights Out, 2023
Acrylic, plastic tops, silkscreen and canvas collage on canvas
60 x 48 in.
152.4 x 121.9 cm
JCG15934
TRENTON DOYLE HANCOCK
Line Up Featuring Torpedoboy and TDH Properties, 2021
Acrylic and mixed media on canvas
108 1/8 x 72 1/8 in.
274.7 x 183.3 cm
JCG12999
TRENTON DOYLE HANCOCK
Torpedoboy and his "Just So" Moment, 2021
Acrylic, ink and graphite on paper
18 x 22 in.
45.7 x 55.9 cm
JCG12920
Trenton Doyle Hancock: Something American, installation view at James Cohan Gallery, 48 Walker St & 291 Grand St, September 17 - October 17, 2020
TRENTON DOYLE HANCOCK
Step and Screw: The Star of Code Switching, 2020
Acrylic, graphite, plastic tops, and paper collage on canvas
84 x 84 in.
213.4 x 213.4 cm
JCG11636
TRENTON DOYLE HANCOCK
Step and Screw #18-1, the Handoff, 2015
Mixed media on canvas
60 x 60 in.
152.4 x 152.4 cm
JCG7748
TRENTON DOYLE HANCOCK
Schlep and Screw, Knowledge Rental Pawn Exchange Service, 2017
Acrylic and mixed media on canvas
60 x 60 x 6 in.
152.4 x 152.4 x 15.2 cm
JCG9454
TRENTON DOYLE HANCOCK
SKUM: Just Beneath the Skin, 2018
Acrylic, graphite, plastic tops, and paper collage on canvas
60 x 60 x 4 in.
152.4 x 152.4 x 10.2 cm
JCG9611
TRENTON DOYLE HANCOCK
Globetrotters, 2023
Acrylic and faux fur on canvas
72 x 54 in
182.9 x 137.2 cm
JCG15945
TRENTON DOYLE HANCOCK
Step and Screw: West End Scrap #7, 2021
Acrylic, ink, and paper collage on canvas
30 x 30 in.
76.2 x 76.2 cm
JCG12087
TRENTON DOYLE HANCOCK
Step and Screw: West End Scrap (Fingered), 2021
Acrylic, ink, and paper collage on canvas
30 x 30 in.
76.2 x 76.2 cm
JCG12085
TRENTON DOYLE HANCOCK
Exchanging Variables, 2021
Suite of 4 aquatint prints
Image size: 12 x 12 in. / 30.5 x 30.5 cm
Paper size: 16 x 16 in / 40.65 x 40.65 cm
Edition of 30 plus 10 artist's proofs
JCG12079
TRENTON DOYLE HANCOCK
I Got Stood Up Just to Be Sat Down, 2015
Ink and graphite on paper
18 x 24 in.
45.7 x 61.0 cm
JCG8103
TRENTON DOYLE HANCOCK
Epidemic! Presents: Step and Screw!, 2014
Ink and acrylic on paper and mat board with excised lettering and gesso
Dimensions variable
Thirty sheets (each): 19 x 12 in.
JCG7154
TRENTON DOYLE HANCOCK
Epidemic! Presents: Step and Screw!, 2014
Ink and acrylic on paper and mat board with excised lettering and gesso
Dimensions variable
Thirty sheets (each): 19 x 12 in.
JCG7154
TRENTON DOYLE HANCOCK
Epidemic! Presents: Step and Screw!, 2014
Ink and acrylic on paper and mat board with excised lettering and gesso
Installation view, Contemporary Focus: Trenton Doyle Hancock, Menil Collection, Houston, TX, January 26 - May 19, 2019
TRENTON DOYLE HANCOCK
Epidemic! Presents: Step and Screw!, 2014
Ink and acrylic on paper and mat board with excised lettering and gesso
Page 5 from suite of 30 framed drawings
19 x 12 in.
JCG7154
Installation view, Contemporary Focus: Trenton Doyle Hancock, Menil Collection, Houston, TX, January 26 - May 19, 2019
TRENTON DOYLE HANCOCK
Step and Screw Part Too Soon Underneath a Bloody Red Moon, 2018
Acrylic and mixed media on canvas
90 x 132 x 5 in.
228.6 x 335.3 x 12.7 cm
JCG10287
TRENTON DOYLE HANCOCK
Didn't Even Get to Say Goodbye, 2021
Acrylic and mixed media on canvas
72 1/8 x 108 1/4 x 2 3/4 in.
182.9 x 275 x 7.1 cm
JCG13002
TRENTON DOYLE HANCOCK
It's Just a Matter of Trust at this Point (for Chadwick), 2020
Acrylic, graphite, plastic tops, and paper collage on canvas
60 x 60 in.
152.4 x 152.4 cm
JCG11635
TRENTON DOYLE HANCOCK
The Former and the Ladder or Ascension and a Cinchin', 2012
Acrylic and mixed media on canvas
84 x 132 x 3 in.
213.4 x 335.3 x 7.6 cm
JCG6082
Installation View, Trenton Doyle Hancock, Something American, James Cohan Gallery, New York, NY, September 17 - October 17, 2020
TRENTON DOYLE HANCOCK
Bringback Condiments: Mustard, Mayo, and Special Sauce, 2020
Acrylic, graphite, plastic tops, faux fur, paper collage on canvas
90 x 132 in.
228.6 x 335.3 cm
JCG11781
TRENTON DOYLE HANCOCK
Bringback Condiments: Mustard, Mayo, and Special Sauce, 2020
Detail
TRENTON DOYLE HANCOCK
Bringback Condiments: Ketchup, 2020
Acrylic, graphite, plastic tops, faux fur, paper collage on canvas
90 x 132 in.
228.6 x 335.3 cm
JCG11634
TRENTON DOYLE HANCOCK
Color Flash for Chat and Chew, Paris Texas in Seventy-Two, 2020
Commission for MFA Houston
Two identical woven silk and wool tapestries
Each: 10 feet, 7 inches high x 24 feet, 4 inches wide
JCG11342
TRENTON DOYLE HANCOCK
Color Flash for Chat and Chew, Paris Texas in Seventy-Two, (Winter), 2020
Silk and wool
60 x 132 in.
152.4 x 335.3 cm
Edition of 2 plus 1 artist's proof (AP 1/1)
JCG11344
TRENTON DOYLE HANCOCK
The Second to the Last Big Hurrah: Symphony Masquerades as War, 2006
mixed media on canvas
108 3/8 x 90 x 6 in.
275.27 x 228.6 x 15.24 cm
JCG2992
TRENTON DOYLE HANCOCK
Choir, 2003
Mixed media on canvas
96 x 132 in.
243.84 x 335.28 cm
JCG1541
Installation view, Making Knowing: Craft in Art, 1950–2019, Whitney Museum of American Art, New York, November 22, 2019 - February 1, 2022. Photograph by Ron Amstutz
Installation View, Trenton Doyle Hancock, Something American, James Cohan Gallery, New York, NY, September 17 - October 17, 2020
TRENTON DOYLE HANCOCK
Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020
Pages 11 & 12 from suite of 19 framed drawings
Ink on paper
Each page: 24 x 36 in / 61 x 91.4 cm
JCG11660
Installation view, Trenton Doyle Hancock, Mind of the Mound: Critical Mass, MASS MoCA, North Adams, MA, 2019
TRENTON DOYLE HANCOCK
Mound #1, The Color Crop Experience, 2018
Metal, custom rug, and video of Color Crop
13.9 x 10 x 10 ft
JCG10907
Installation view, Trenton Doyle Hancock, Mind of the Mound: Critical Mass, MASS MoCA, North Adams, MA, 2019
Installation view, Trenton Doyle Hancock, Mind of the Mound: Critical Mass, MASS MoCA, North Adams, MA, 2019
Installation view, Trenton Doyle Hancock, Mind of the Mound: Critical Mass, MASS MoCA, North Adams, MA, 2019
Installation view, Trenton Doyle Hancock, Mind of the Mound: Critical Mass, MASS MoCA, North Adams, MA, 2019
TRENTON DOYLE HANCOCK
Undom Endgle (Undom Endgle and the Mound Meat Cycle), 2022
Steel, aluminum, automotive paint
86 1/2 x 75 1/2 x 15 in.
219.7 x 191.8 x 38.1 cm
JCG11889
Permanent installation, Miamiworld Center, Miami, FL
TRENTON DOYLE HANCOCK
Yielded She Did and Shielded She Did, 2019
Acrylic and mixed media on canvas
48 x 48 in.
121.9 x 121.9 cm
JCG11116
TRENTON DOYLE HANCOCK
Moundverse Infants Preliminary Paintings, 2018
Graphite and acrylic on paper
4 works: each approx. 24 x 18 in.
61 x 45.7 cm
JCG11833
TRENTON DOYLE
HANCOCK
Moundverse Infants Character
Illustrations, 2018
Suite of 8 drawings
Framed: 14 x 11 3/8 x 1 1/8 in.
(each)
35.6 x 28.9 x 2.9 cm.
JCG13228
TRENTON DOYLE HANCOCK
Mound #1, The Legend and the Exposed Nerve, 2019
Acrylic and mixed media on canvas
108 x 96 in.
274 x 244 cm
JCG10441
Installation view, Trenton Doyle Hancock, From a Black Son to a White Man to a Black Woman and Back Again, Temple Contemporary at the Tyler School of Art, May 10 - July 27, 2018
TRENTON DOYLE HANCOCK
Moundverse Infants Torpedoboy Doll, 2018
Vinyl, factory applied paint, artist designed
packaging, and risograph booklet
Doll: 14 inches in height
Package: 16 x 7.5 x 5.5 inches
JCG10425
TRENTON DOYLE HANCOCK
Good Vegan Progression #5, 2007
Hand-cut synthetic, natural, and digitally printed fabric layered and stitched on fire-retardant theater curtain
216 x 648 in.
548.6 x 1645.9 cm
JCG9760
Installation view, Trenton Doyle Hancock, The Re-Evolving Door to the Moundverse, Contemporary Art Museum St. Louis, January 19 - April 22, 2018
Installation view, Trenton Doyle Hancock, The Re-Evolving Door to the Moundverse, Contemporary Art Museum St. Louis, January 19 - April 22, 2018
TRENTON DOYLE HANCOCK
Coloration Coronation, 2016
Acrylic and mixed media on canvas
90 x 132 in.
228.6 x 335.3 cm
JCG8848
TRENTON DOYLE HANCOCK
Split Per Tonality, 2016
Acrylic and mixed media on canvas
72 x 108 in.
182.9 x 274.3 cm
JCG8849
TRENTON DOYLE HANCOCK
8 Back Icon Series: Torpedoboy- Protector of the Mounds, No. 5185, 2016
Mixed media on canvas
66 x 38 in.
167.6 x 96.5 cm
JCG8444
TRENTON DOYLE HANCOCK
8 Back Icon Series: Trenton Doyle Hancock- Creator of the Moundverse, No. 5174,
2016
Mixed media on canvas
66 x 38 in.
167.6 x 96.5 cm
JCG8445
TRENTON DOYLE HANCOCK
Mound #1 the Legend, 2015
Mixed media sculpture and 8" x 8" acrylic painting on canvas
27 x 16 x 16 in.
68.6 x 40.6 x 40.6 cm
Edition of 15
JCG9435
TRENTON DOYLE HANCOCK
Hot Coals in Soul, 2010
Acrylic and mixed media on canvas
84 x 114 in.
213.4 x 289.6 cm
JCG5743
TRENTON DOYLE HANCOCK
Vegans and Mounds in the Forest
Production still from Ballet Austin's Cult of Color: Call to Color A collaboration by choreographer and Ballet Austin artistic director Stephen Mills, visual artist Trenton Doyle Hancock and composer Graham Reynolds
Photo: Tony Spielberg
TRENTON DOYLE HANCOCK
The Legend is in Trouble, 2001
Mixed media on canvas
104 x 120 1/2 in.
164.2 x 306.1 cm
JCG0786
TRENTON DOYLE HANCOCK
Coonbear, The Legend, 1997
Acrylic and mixed media on canvas
60 x 60 in.
152.4 x 152.4 cm
JCG9840
TRENTON DOYLE HANCOCK
Ferroneous & The Monk, 1999
Mixed media on felt
102 x 114 1/2 in.
259.08 x 290.83 cm
JCG0939
For almost two decades, Trenton Doyle Hancock has been constructing his own fantastical narrative that continues to develop and inform his prolific artistic output. Part fictional, part autobiographical, Hancock’s work pulls from his own personal experience, art historical canon, comics and superheroes, pulp fiction, and myriad pop culture references, resulting in a complex amalgamation of characters and plots possessing universal concepts of light and dark, good and evil, and all the grey in between.
Hancock transforms traditionally formal decisions—such as his use of color, language, and pattern—into opportunities to create new characters, develop sub-plots and convey symbolic meaning. Hancock’s works are suffused with personal mythology presented at an operatic scale, often reinterpreting Biblical stories that the artist learned as a child from his family and local church community. His exuberant and subversive narratives employ a variety of cultural tropes, ranging in tone from comic-strip superhero battles to medieval morality plays and influenced in style by Hieronymus Bosch, Max Ernst, Henry Darger, Philip Guston and R. Crumb. Text embedded within the paintings and drawings both drives the narrative and acts as a central visual component. The resulting sprawling installations spill beyond the canvas edges and onto gallery walls.
As a whole, Hancock’s highly developed cast of characters acts out a complex mythological battle, creating an elaborate cosmology that embodies his unique aesthetic ideals, musings on color, language, emotions and ultimately, good versus evil. Hancock’s mythology has also been translated through performance, even onto the stage in an original ballet, Cult of Color: Call to Color, commissioned by Ballet Austin, and through site-specific murals for the Dallas Cowboys Stadium in Dallas, TX, and at the Seattle Art Museum’s Olympic Sculpture Park in Seattle, WA.
Trenton Doyle Hancock was born in 1974 in Oklahoma City, OK. Raised in Paris, Texas, Hancock earned his BFA from Texas A&M University, Commerce, and his MFA from the Tyler School of Art at Temple University, Philadelphia. In November 2024, Hancock will be featured in the Jewish Museum’s exhibition, Draw Them In, Paint Them Out: Trenton Doyle Hancock Confronts Philip Guston which will pair Hancock’s work with that of Guston. In November 2020, the Museum of Fine Arts, Houston unveiled Color Flash for Chat and Chew, Paris Texas in Seventy-Two, Hancock’s monumental tapestry commission, which will remain on permanent display in the Museum’s new Kinder Building. In 2019, a major exhibition of his work, Mind of the Mound: Critical Mass, opened at MASS MoCA, North Adams, MA. In 2014, his retrospective, Skin & Bones: 20 Years of Drawing, at the Contemporary Arts Museum in Houston traveled to Akron Art Museum, OH; Studio Museum in Harlem, NY; and Virginia Museum of Contemporary Art, VA.
Hancock was featured in the 2000 and 2002 Whitney Biennial exhibitions, at the time becoming one of the youngest artists in history to participate in the prestigious survey. His work has been the subject of solo exhibitions at institutions including Locust Projects, Miami, FL; Temple Contemporary, Philadelphia, PA; Contemporary Art Museum St. Louis, MO; Ringling Museum of Art, Sarasota, FL; Weatherspoon Museum, Greensboro, NC; Modern Art Museum of Fort Worth. TX; Museum of Contemporary Art, North Miami, FL; Institute for Contemporary Art at the University of Pennsylvania, Philadelphia, PA; Olympic Sculpture Park at the Seattle Art Museum, Seattle, WA; Fruitmarket Gallery, Edinburgh; and Museum Boijmans Van Beuningen, Rotterdam, The Netherlands.
Hancock’s work is in the permanent collections of institutions including the Akron Art Museum, Akron, OH; Brooklyn Museum, Brooklyn, NY; Dallas Museum of Art, Dallas, TX; Detroit Institute of Art, Detroit, MI; Memphis Brooks Museum of Art, Memphis, TN; Menil Collection, Houston, TX; Metropolitan Museum of Art, New York, NY; il Museo di arte moderna e contemporanea, Trento, Italy; Museum Boijmans Van Beuningen, Rotterdam, The Netherlands; Museum of Fine Arts, Houston, TX; Museum of Modern Art, New York, NY; Modern Art Museum of Fort Worth, Fort Worth, TX; Morgan Library & Museum, New York, NY; San Francisco Museum of Modern Art, San Francisco, CA; Studio Museum in Harlem, New York, NY; and Whitney Museum of American Art, New York, NY.
For almost two decades, Trenton Doyle Hancock has been constructing his own fantastical narrative that continues to develop and inform his prolific artistic output. Part fictional, part autobiographical, Hancock’s work pulls from his own personal experience, art historical canon, comics and superheroes, pulp fiction, and myriad pop culture references, resulting in a complex amalgamation of characters and plots possessing universal concepts of light and dark, good and evil, and all the grey in between.
In this film, artist Trenton Doyle Hancock confronts issues of race and power. By harnessing painting, graphic novels and art history, he builds a world around his avatar Torpedoboy in an ongoing narrative of superheroes and villains.
In this episode, Trenton Doyle Hancock discusses the materiality at play throughout his practice and his experimental self-portraits.
Watch Trenton Doyle Hancock discuss the genesis of the Exchange paintings, which feature his superhero alter ego Torpedoboy facing off against the buffoonish Klansmen that populated Philip Guston’s paintings.
Harlem, New York
Contemporary Arts Museum Houston, Texas
Kansas City, Missouri